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The most commonly misunderstood symbols revealed - including a VERY Act silly, pay them compliments and learn how to 'peacock': Selena seen posing for a snap with a fan earlier in the evening. On Monday evening, she shared a picturesque shot of an outdoor water scene on Instagram with the cryptic caption: She also posted a video of herself with a microphone showing a sad and pensive Selena playing a piano, along with another mysterious caption: I'm on my way you know.

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Pretty sure that's Kate Beckinsale. In that picture, it looks like her asshole's been sealed off!! I think 10 has a different kind of yoga in mind….

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Which weird lights are you referring to? The ones hidden within the clouds? I have personally witnessed bright lights moving quickly yet silently just above the treetops. No sound; no doppler effect. Why is no one panicking? This is NOT a movie. We are all on this site and others like it, looking for that proof. These days, with CGI, it is much easier to doctor a photo or video and create a hoax.

This could be our own military as huge, unmarked planes dump toxic chemicals on us. You see, we all have lots of questions. If I was abducted by aliens, I have no recall. In fact, if there were proof of aliens, I might be very excited.

Back in , I was 11 years old. I saw strange colors in the clouds. I did panic then but the radio announced it was just weather testing. I still find it very strange. The way the clouds changed colors was very odd. I suggest you do the same. Not only should you keep your eyes open but keep your mind open as well.

If you go back through the thread here and read your posts, you sound like a crazy man. Typing in all capital letters equals shouting. Demanding answers to questions about fictional stories, that you think are real. Going on about movies like Independence Day and lizard men. I wonder if you just need the attention? Also to add to this. They disregarded me like I had no idea what I was talking about.

I have all kinds of footage including a shape shifter that went directly over me. Today many people are losing faith in Christ when this is the time to find him more then ever. I say this cause the lord stats that in these times, he asks for us to look into the skies and the stars and remain vigilant and sober, cause these are signs to warn us of the end. N and others are the causes of these anomalies.

The prophets predicted these things to happen and from what they understood back years ago, id say there pretty accurate. N is in the close stages of opening a portal to the evil realms to unleash chaos and everlasting torment on humanity. Follow the Lord and dont be mislead. I have to agree! I have been saying the same thing. Someone please ban this caps lock spammer Mark from this forum.

Everyone can have their own view on the subject but enough of your shit already! Cheap Jordans For Sale. Please allow 24 hours and sometimes more for a response. If this is urgent, please red flag your email and put urgent in the heading.

Hey Mark, I enjoy your posts. Ease down on the caps, ok? Some people may interpret it as demanding or rude. But keep posting, I enjoy your comments. This picture is all over the web, it came from a piece of artwork that was merged with a picture.

Pretty easy to do. If so and would like to share there views on sightings please let me know as i have seen some things i wish i had on camera and will be trying to get. Caught this craft land in the Palo Verde message in southern California, then take off and head towards Salton Sea are or the chocolate mountain range.

Also have photos of about a month ago. I have not seen much either, 5 lights zipping around in night sky north of Hamilton Ontario Canada when I was a kid, a rectangle and smaller oval in night sky moving eractically in night sky 5 years ago south of Peterborough Ontario Canada, but on November 1 5: Who can analyze it? They were taken in October.

This is a Naval Missile shot into space. Called a Long Range test. Looks amazing I know, but this is what it looks like at night when the Military test out these surface to space missiles. But keep looking to the sky. There are way too many videos from al over from all walks of life that they can be all hoaxes.

Plus the many reports of visitation that took place before the government covered u the fact that they were here and are here at the present time. Please go to any Phil Schnieder video and you might have an epiphany about them being for real and might even be why we are even here on this planet in the first place.

There is a heck of a lot you do not know because you are not in the mix of the people that DO KNOW and have been abducted or worked with one of dozens of types of aliens that visit us,study us, breeding with us and do have an agenda that could come in the next 15 years or wait until the next humongous meteor or asteroid hitting us in a world ending cataclysm. They Alien races could be discussing our fate as we live our insignificant lives. Many have died that try to put the word out to the masses.

Please keep an open mind and not be an extremist that you must be right and everyone else is wrong, stupid,mindless or hoaxsters.

Add nothing to it, and subtract nothing. Do not paraphrase, etc. The people want to know. I rely more on what I see and I have seen quite a bit. I have seen objects on the surface of the moon that travels in one direction and makes hard turns without slowing down. I observed 2 lights no craft structure overhead Cottonwood Az that aligned next to a passenger airplane.

The plane was flying JUST below the clouds and all of a sudden these two lights aligned just behind their vapor trail and equidistant one either side of the airplanes path. They blinked on and off as if they were communicating with each other. In the mean time the passenger plane disappeared into the distance. It was if they were studying the vortices that the airplane had created. After 10 minutes or so. It parked itself the same distance from the planes path as in the first case. It lingered and repeated its earlier performance.

The other light craft? I lingered outside to see if they reappeared for other aircraft that passed by but nothing did. Guess they got the data they were looking for and went elsewhere.

I was called into the finishing room where they were putting all the strips together to make one composite photo. Their spray paint may have covered most of the REAL details but you have probably seen the blurry picture that is shown on the internet.

I got to see doors, windows, temples, mountain carvings of 2 different people 1 man and 1 woman Some people have clarified her picture enough that you will wee it on the internet but I got to see her sculpture as if she were right in front of me. That city is is such good condition that people could live there today minus any atmosphere — or minus a comfortable level of atmosphere.

Be tolerant of others and others will be tolerant of you. We all have assholes but there is no reason be become one. They make a caps lock and a shift key for a reason. Learn to use your computer properly. Well — I contacted them and suggested they come visit you and beat the holy crap out of you until you grow up and start acting like a civilized ADULT. You should be contacted in the very near future. We are just trying to piss you off in hopes that you will mature enough that we can have a civilized conversation with you Sincerely — XGerinfuya Planet — Grasiease.

We are hiding from you. UFO sighting in Poland shot December in a corn field, a green corn field in December this month right. Stewped people think they are Einstein Jerks think they are cool U are doing your very best to outdo all of the above.

Secondly, Mark is possibly just uneducated in life or socially retarded choice of adjectives? If we ignore him he will just become more prolific — however — we would have to ignore him for a very extended period of time to get him to leave. Grow up or Blow up. I can give you some bomb making formulas of chemicals you can purchase on the internet and make a bomb which will scatter your molecules over the walls, ceiling and floor. There must be a echo you hear when you speak. The reason is where you have placed your head.

Pull it out of your ass and you will hear MUCH better. I have been further off the Earth than you might think. Not as high as the Space Station or even many of the satellites. It was the highest flight of any military plane ever made until about 2 years ago and they almost did not make it back to the ground.

They have some new generation planes that will actually go into low earth orbit and even visit the space station here in the next few years. They are not teasing us. They are checking us out — monitoring our progress. They are not trying to take over the planet but they could if that was their agenda.

Eventually you will be asked to take some time in a padded cell while some professionals take the time to diagnose you and determine which institution to send you for treatment, for your own protection or for the protection of the public.

I have heard a lot about this site and thought I would join. I see that there are some who just love to act immature and harass others for no reason at all. How does that make you mature? Grow up and be the mature person you claim to be. I am sure that once you have proven that you can be mature about things, the other person will stop doing whatever it is that has pissed you off so badly that you felt the need to attack them. I have looked at some of the posts on here before I joined and noticed that one user felt the need to say he contacted aliens to beat the holy hell out of another user and also told that person the he could get him bomb making chemicals so that he could blow himself up.

Why would anyone think that threatening another user is mature? To me that just seems so immature. Why not just grow up? Start acting like adults. Now back to what this site is about……I would like to know if there has been anyone on here that has actually seen a UFO or an extraterrestrial up close or been abducted? I would like to insert an M80 in your pants and then take pictures of you hopping around and in excruciating pain.

In YOUR case this would be outright hilarious. Never had your head up your bum? Figure you must sleep and eat from time to time so that is probably the only chance you get to breath properly. They are picking on you specifically at my suggestion. They gleefully agreed to assist me in pissing you off as often as they get the chance.

YOU do not meet the requirements for such classification. YOU do meet the requirements for 1 Paranoid schizophrenic and 2 all around jack ass. The lower the I. You KEEP proving my point but you never see the trees for the forest that you have created in your head. By continuing to attack me, all you are doing is showing just how much of a dick you are. I am not the one with the problem. You are and by attacking me as much has you are doing is only showing how right I am that you are the one with the problem.

As you can see if you are not blind…I am using small print and not foul words in this post, but yet, you will still continue to be a jerk on here no matter what anyone says or does on here, which just goes to show that I am more mature than you are because I am changing my behavior on here and you are not.

You guys at third phase are a joke. Your input on everything is wrong, which leads me to believe you guys are in this for the money and fame, always showing yourselves and saying third phase of moon every 4 seconds. NBA Live Stream This has nothing to do with ufos, but then we know very little of anything now a days. On August 10th of at around You have to take a sequence of pics to have something to compare from one image to another. Otherwise, I would have continued to take more almost nonstop.

Not only did I notice what appears to be a face looking down on me or us. And to the right of the face also appears to be what I can only think of are ripples as in the ripples that we see from water being disturbed. I have a rather interest to the location that you shot these photos from State.

I have an explanation as to the formations that you have depicted, as being involved in a few miscellaneous military programs myself. I would like to talk to you more about this photo please. Its funny that you question the legitimacy of something that you know very little about yourself. I have personally seen multiple carriers from the various bases that i have traveled to throughout my time with my organization.

I have also had the pleasure of working with top analysts, to validate photos of vessels and beings that are not from this world that have already accessed zero-point energy long before it has been known to be accessible. So just sit down on your couch and relax because the information that you know, or even anyone on this site knows is very vague compared to what our organization does, or even knows.

You might hear from us every now and then, but you only see us as a threat. Until then, we will remain….. Anyone else think it a desperate attempt to win votes from the growing number of Ufologists or something other than an empty promise? Best buy smartphone accessories.

It seems very deliberate that you do so with interviewees. There is nothing to fear except for Cabal who are going to use the disclosure to control the masses wrongly. Wake up people we are being helped from off our planet more than we know. HI these photos were taken with my Ipod 6th generation, photos were taken back to back with a time stamp of Object was naked to the human eye, me and my co-worker were back on the bus and I decided to see how the photos came out and this is what showed up…any thoughts?

I have been listening to Blake for some months now and apart from some perfectly reasonable personal hype I like this medium. I have seen beams of light in the sky converging on a black hole in the middle, with a view straight up to the stars. Probably I have seen an orb higher than the clouds move in from the west at an even pace but zip left and right as if searching for something.

Keep up the good work Blake. Got a UFO report in the Netherlands. I shot images with my Phone video. How can i send them? I have photos that I think you would like, contact thankthetrees gmail.

Some more for your fans https: More for your fans to watch https: I have known since the age of Twelve that Alien life exists………I witnessed a U. One can see them in nearly every photo from that series. Anyone know what they are? I laugh my ass off at that Area 51 video, those two guys set those Chong tourist up, I bet they told them it was ok to drive right on through to.

I have several still photos taken Nov. At a light we spotted this, more of an organic UFO. No birds in the sky whatsoever.

There was a heat like ora around it. It was visible for what seemed like 2 minutes, then just completely vanished. Now, we constantly look to the sky… I have more still consecutive photos and daughter has a video on her phone. Have found a couple that look like this on youtube. Has anyone else seen this???

The video if real was awesome, oh and congratulations on keeping the profanity and loud mouth mentally unstable off the video too unlike what happen on the 18th. Share Videos With Family. Manhattan Home Design Reviews. So notmto but up the currwnt topic but I found a wayntontake pics ofnthenarea around then sun without an epic amout of glare.

I am trying to get a pic of Nibiru. I have been using my welding mask. I will post hopefully by tomorrow. This was taking from phone Jan. I was just taking a normal picturw of a brown tail hawk entering my famlies ranch. Never seen anything like this before. Web Design companies in los angeles.

I recommend reading the book of the secrets of enoch…. I believe it expands the mind to be able to comprehend the question of who is watching us. This latest video submitted yesterday is really interesting, any ideas on it, someone some where has to know something. Seeing little space craft are we?

Never seen a passenger airplane in the sky before? Where have you been? Regarding the Space Station seeing an alien craft. Happens all the time. NOT news to them. THAT wears of real quick around there. The Lost Ways Review. SunTrust Online Banking Login. I do not personally know Edward Snowden, but I do know his father, I was stationed with him twice while in the Coast Guard, he is a very intelligent and a good man.

His son is a lot like him, very intelligent with a deep love for his country, at least the country we all grew up in before the New World order hijack it 27 years ago. If Edward says this about HARP, I believe it, beware America dark forces are and have been at work in our country for the last quarter century and their cover is starting to be blown away.

Heidi there are kooks and wing nuts all over the internet, well we got them here too, but other then the small percentage of foul mouth loons 3rd phase is a pretty good site, I been here almost a year now, give it a little time and it will grow on you.

First thing every morning I check 3rd phase just to see if anything new has been posted by Blake or his brother, I really do like the site, give it some time. Friday evening you were saying there was big time breaking news coming in the entire pod cast but you made it seem like there were technical difficulties.

Here it Monday evening and still no breaking big time news, whats up? Hey bobby i dont know who you are but i am very interested and this might sound odd but can i join you?

I want to ivestigate ufos and i can give my life to it. Home Depot Credit Card Login. Black knight satellite watched it line drive to the northwest over el mirage Arizona near Luke air force base. Pictures i took from the ISS , You will see the date on each picture, please tell me what you see in each picture….. The Millennium falcon video that came out last night is excellent, something did crash land on that island. Come back next week and I bet this craft will be missing and the skid marks distorted.

The cover up will begin, but at least you all got it out before hand. Most recent video millennium falcon UFO. The proof will be maybe next year, pull it back up on the latest Google maps and see if the object is still there.

Also, if all on earth and earth being a really small partical. Could it be possible that reality actually moves backwards in time, but we perceive reality and time to be moving forwards. I know this is abit out their, but i promise I am not off my rocker. The above is my way of thinking and i just want to know if im the one one that thinks this.

So i have two videos i just shot of this object i keep witnessing. I finally said screw it and started recording. Would anyone like to see them? LOL if they go to the expense and effort to get rid of the evidence then what better proof would there be to show that the evidence is then real!!! It looks to me that is it is on approach to a landing and it will give you an optical illusion of just standing still, but that is all that it is an optical illusion.

Matt did you submit them or post them anywhere? Kind of hard to view them if all you say is I have them and give NO access to them. Because I have the right not to share or make public my videos, I have one up on my personal Private facebook, that is it.

If anyone wishes to view them. I can send the videos to them via email. There was volcanic activity at Deception Island as recently as , it could have been a volcanic vent which make more sense then a large extraterrestrial object, or some giant sea creature created by global warming. Upper east side tms therapy. Fiber Fusion Splicing Tool.

Those space aliens are back there messing with Jack again, got mamma Jack all winded up too. Employee Scheduling and Payroll. The lake on Mars looks like a comet strike, one made up mostly of water. I can explain what they are, their power stations that use sun light to get power. The towers are surrounded by a bunch of mirrors that reflect sunlight onto the towers and the towers then convert the heat from the sunlight into energy.

Computer Services Ocala FL. When the first moron of the evening started talking about flat earth the interview should have stop right there. Come on Blake you have to start call screening out the dope smoking loony tunes. Blake bad show this weekend, at 31 minutes I finally had enough with the flat earth kooks and a couple other noticeably unstable KIDS with cheap cell phones. If you think the world is flat, or have some questions about it then your a little more then off centered, in fact I would say your borderline loony tune too.

Acta Clinica Belgica Medical Journal. You will notice three UFO above the stadium way of the flight path of the Blue Angles just sitting there watching it is very creepy please let me know if anyone sees what IAM seeing? Those lights look a lot like the ISS when you go full magnification. Who ever posted that video has no proof of when it was taken, no time ledger, so he could have taken it a week ago and only now just posted it. You can go to Heavens-above. Buying residential real estate.

Auto Detailing Puyallup Seattle Tacoma. Newborn Photographer Madison Wisconsin weddings family. Last Mile Delivery Service. How to make money from Home. Laptop cracked screen repair. Pull up the three pyramids in Egypt and put along side these two and calculate where the third one would be and if there is a third one covered in snow no doubt and they are lined up exactly like the three in Egypt then what more proof of Alien intervention could you ask for?

Coastguard diver from helicopter video being lowered to ocean. Line is from my wall that I am projecting onto with my projector. Also that is sky around diver video has not reached a view of ocean yet. Reebok Sheos Models with Price. Allegan County Mi Bail Bonds. I see the pyramids have been discovered on Antarctica. I offer this, I said people should go and climb Olympus, as it is the apex of the meaning for Gods to have climbed them.

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Come on, the vice president ordering the destruction of priceless pieces of technology…. Everything about these headphones signalizes that we are dealing with a product for quality conscious people.

The industrial, almost military look of the design, the thick cables, large earpieces, all of it The soundstage is balanced and honest, and no single part of the frequency spectrum is given special emphasis. There are, simply speaking, no flaws at all in the soundscape; flaws that could take one's attention away from the music. Elvis Costello is a bit hoarse today. He is sitting right in front of me, singing about how nothing adheres to him like Ivy does, and it's so beautiful, so beautiful, so There is an enormous wealth of detail in the reproduction; space is convincingly spanned out; you can easily point at where in your imaginary room the musicians are seated.

These qualities also encompass an extraordinary degree of carrying comfort. Should you be inclined to keeping it a secret what you are listening to these headphones are not the right thing for you. This open construction is hiding very little for the eavesdroppers around you; but, on the other hand, they're letting sound signals that can be useful and important to you, e.

What is there to say? Definitely, these 'phones seem to be perfect match for a decent MP3-player. Both sound reproduction and carrying comfort is in a class by itself. The Grado Labs' SR60 has to be considered a bargain, and a product everyone should give a listen, before they decide which headphones to buy for their MP3-player.

One of the most notable and widely discussed aspects of this year's Consumer Electronics Show wasn't a new product or a new technology, but a demonstration by Dave Wilson. His intention wasn't to comment on the quality of the iPod, but rather to encourage his dealers to be aware that the iPod, and other similar innovations, is a valid source for many consumers and that a great pair of speakers makes it sound even better. For starters, let's be clear that the iPod is a portable music player. While there is no reason not to use the iPod in a home music system, its' fundamental advantage is portability.

So, Dave's interesting demo notwithstanding, it makes sense to evaluate the iPod first as a portable player. For this review, I primarily compared the iPod with a portable CD player and another hard disk player capable of storing compressed audio files. The sound of the iPod is quite different from straight CD. My biggest concern, and one I think you would share, is that the iPod just doesn't sound very dynamic in comparison with CDs.

Music sounds "fine" or "OK" or "pretty good," but always with some of the life wrung out of it. To take just one example, midway through "Drive", from R. On the iPod this is softened in a way that diminishes the effect. And you don't have to listen to power rock to notice. A and M , lose some of their emotion too. Since CDs already fall short of live music on dynamics, the iPod gets dangerously close to a precipice here. The iPod also can't match the sense of air and resonance from individual instruments that you find on CDs.

The iPod simply doesn't reveal these nuances the way CDs can and the way live music does. On the iPod, the sound of the guitar, the string resonance, and the sense of the recording space isn't as clear as on the CD. To be fair, this same guitar line, using the Dell DJ player, was pressed back in the mix and it was harder to recognize the instrument as a guitar. The iPod also rounds off high frequencies a bit. Vocals, cymbals, and violins all sound slightly polite, but also quite smooth.

The problem is that they always sound this way, whether that's what is on the recording or not. Real music has edges, and sometimes artists work very hard to put them there. If you want to hear them, you'll have to stick with CD. These results aren't all that surprising. To get 10, or so songs on a 20GB hard disk requires compression. Something has to go, and sometimes what goes is musical content. Even though today's sophisticated compression schemes can find duplicate data so nothing is lost , you can't get the kind of compression needed without going beyond the duplicate data.

The trick, then, is to throw away musical content in the least noticeable way. I have to say that the iPod makes some careful and actually impressive choices in how it messes with the sound, though the iPod's alterations of the signal don't fit with the goal of ultimate musical accuracy and emotional expressiveness. On the iPod, music tends to sound "good" or "nice.

In this sense, I would liken the iPod to a classic tube amp: In the end, especially for portable applications, you'll probably choose the iPod because it is small. Also, consider that the software potentially 5, songs worth is on board, whereas with CD you'll have to carry a book of CDs on the side.

So, this being the case, the other interesting question is how to get the most out of the iPod? The obvious place to look is toward a great pair of headphones. Given my remarks above about the character of iPod's sound, could a complementary pair of headphones make a difference?

I don't think the differences between the iPod's sound and CD are exactly subtle, but by comparison the sound differences between headphones are enormous. I tried a mix of headphone prices and technologies, which may explain why the sound was so varied. Still, I wouldn't have come close to guessing my findings in advance. Sennheiser has a long and distinguished reputation for making superb headphones. They are viewed by many audiophiles as the preeminent headphone manufacturer, at least if you rule out electrostatic designs which by definition are not portable because in nearly all cases electrostatic models involve separate power supply units that need AC power from a wall outlet.

I chose the HD for review because it is Sennheiser's new top-of-the-line model the previous top line models were the HD and, before it, the well-loved HD I figured, "Why not see how much we can wring out of the iPod? What I found was rather disappointing.

Bass on the HD s was boomy, with drums sounding like indistinct thuds rather than like sticks striking a drumhead. Vocals were distantly placed, which gave a better than typical sense of space to the music. But vocals were hooded and very dark sounding.

Percussion, particularly with snares and rim shots, was over damped and "dead" sounding. Overall, I found the HD an amusical design, and one particularly unsuited to the iPod, which has some of the same faults though on the iPod they are much smaller in magnitude. On a practical note, these are large headphones, which isn't ideal for portable use.

In addition, they tax the tiny amplifier in the iPod pretty heavily, so you'll almost certainly want a separate headphone amplifier. In contrast with Sennheiser, Bose does not have a reputation for high quality among audiophiles. But their products are exceedingly popular, and the QC-2 is heavily promoted, so I thought they should be included.

The QC-2 also makes sense in this test because it has noise cancellation technology borrowed from Bose' professional aviation headsets. Noise cancellation systems measure the ambient noise on a bus or in an airplane and apply an equal and opposite signal to remove this distracting sound from the headphones. If your portable listening involves noisy environments, this technology really works and is very helpful in terms of letting you hear just the music while blocking out the noise.

Sadly, the sound of music with the QC-2s isn't particularly good. Bass, as befits the Bose house sound, is bloated and indistinct. Electric bass harmonics, for example, sound like the amp is playing under a thick blanket. Vocals are smooth and reasonably open, but a little dark. String plucks through the QC-2s are clear but a bit over damped. Violin tone is lovely, though violins sound more like violas. I preferred the Bose headphones to the Sennheisers, but, again, this is not the headphone for the iPod.

Actually, I'm not sure what this would be the headphone for. Etymotic is a little-known company in consumer electronics, their primary business being the development of professional audiometry products and high accuracy hearing aid amplifiers. These guys are serious about in-ear sound and measurement, holding 89 patents in these fields.

Yes, I said earphone. The ER-4S looks like an alien-designed version of the cheapo earbuds that ship with lots of portable players. It is different in that it seals against the ear canal to extend bass and to isolate outside sounds a different way of doing what the Bose 'phones do. The Etymotics have the earbud advantage of being tiny the case is a bit larger that a matchbook. The Etymotic sound is tilted in an entirely different direction than the Bose or Sennheiser sound.

These earphones are about clarity and low distortion. Electric bass string definition is very good, but lacks body. It is important to note that bass with the ER-4Ss depends heavily on the seal between the earphone and the ear canal. Custom made earpieces are available to optimize this, though I tested the standard version. At the other end of the spectrum, cymbals are clear and extended but a bit dry.

Again, vocals are a bit thin, but clear and open. Plucked string tones are crisp and clean. Drum head definition is excellent. Dynamics are handled superbly, though, like the Sennheisers, these require almost everything the little built-in amp of the iPod has to give, even to get vaguely loud Etymotics offers an easier to drive version of this earphone, called the ER-4P. Grado is a small, established player in high-end audio, but with a twist.

They only make phono cartridges, headphones and related products. Over the past 50 years, they have earned a phenomenal reputation for musical products that are great values. As for the sound, let me just say "Whoa! Vocals on the SR are open, but with realistic body. Electric bass is solid, warm, and with good definition on decay, though not terribly deep. Bass isn't perfect, with some lumpiness in the mid-bass, but on the whole deviations from accuracy are small by comparison with the bass problems observed with some of the other 'phones.

With the Grados, plucked string sounds are clear, with excellent resonance. Percussion sounds are solid and quick. The woodiness of acoustic instruments is well represented. Cymbals are smooth, though occasionally a little splashy. The SRs have excellent macro dynamics. Violin string tone is smooth, and reproduced with a realistic sense of "edge". This is a transparent and musical headphone that nicely complements the deficiencies of the iPod, and I preferred it for listening to CDs as well.

My heart was gladdened that the lowest-priced headphone in this august group not only fared well, but also was the hands-down winner. Whether the Grado is the best headphone for the iPod, I can't say. In a noisy environment, its open ear design is not ideal. Unfortunately, getting better performance at higher prices is far from automatic. So Frank Doris calls me and sez, "I got these hundred dollar headphones from John Grado and they sound awfully good! And if I'm gonna say that in print I better be right.

They're more comfortable, less of a vise-grip on the scull, and their top-to-bottom extension is better than my personal HP-1s, this determined using a demo CD-R that John Grado included with the new set. So I beat my breast and wail to the heavens, and finally I call John, the Next Generation, and I tell him of my conclusions. Like it would be to any reasonable manufacturer, hearing that his bottom-of-the-line is better than his top-of-the-line is disturbing to him.

Instead of calling me a subjectibist wacko, he offers to update my cans to current spec, ie. Overnight air to Brooklyn with a check in the box to pay for the SR60's, just in case. I still think the cheapos kill the HP-1's. I hear no improvement. He says this cannot be. Turns out he installed new wire up to the phase switches. But from the switch to the diaphragm it's still the old wire. So it can be. Overnight air to Brooklyn.

Yes, now something happened. I hate admitting it was just a wire that made the difference, but I like my HP-1's again. I understand why Gary Galo had no complaints about the top end of the HP-2's. My bass on Sheryl Crow's record sounds like my bass again. And on "No One Said It Would Be Easy", right after my awkward little unamplified miked-electric guitar break the sound you hear finally sounds like what it is; Sheryl lighting a match at the vocal mike during an instrumental break.

John must have made an adjustment to the headband too, because the HP-1's don't hurt anymore. The SR60's are still more comfortable. But it's a pleasure having a reference I can enjoy and rely on again. While the HP-1s were in transit I did a mix with the SR60s and the s and, probably due to inexperience with them, I got terrible mixes. You will still hear more top with the SR60's than the HP-1s, but I'm hard put to determine which is correct. Is more recording hiss accurate or an exaggeration?

Using my own tapes, my sense is that neither is exactly right. The SR60s elevate the top slightly, but in a remarkably uncrude way. The "tizzy" quality I usually hear with bright headphones is absent. Just alot of top. If you don't feel like jumping into this way of listening with a big expenditure, buy these with no doubts and plug'em into your headphone output. I mean, the past couple years have seen the whole headphone trip suddenly break on through to the other side after decades of numbingly bad sound.

Yeah, the high-dollar Stax electrostatics had always been there if you really wanted some quality headphones, but even they had their problems with coloration and treble steeliness. Other than that, though, it was a real teenage wasteland, with Koss, AKG, Sony and Sennheiser all battling it out to see who could produce a less mediocre pair of headphones than the rest of the pack.

If you wanted comfort, you choose Sennheiser. Me, I was a headphone slut--I played around with all these brands, trying to find a pair I could live with, But nothing I heard was cool enough to warrant a long-term commitment.

Then suddenly, a couple of years ago, Joe Grado came out of left field with headphones that totally rewrote the book. I'd sworn off 'phones by that point, but all it took was a quick listen to those neww Grados and I had to have 'em. They were so clean, so clear, so detailed--so right. OK, so that's the High-End. But what about the low end, where me and my friends eat our government cheese and wait for the high tech to trickle down to our demograph?

There's around 14, different models ranging from el cheapo earpuds that buzz like bees to Walkman-style squawkers to big puffy-cushioned "Digital Ready U-Bet" jobs at the top of the lines.

All of these suck, and suck hard--I recently spent several days going around to various Dung Huts that sell these headphones alongside Bose speakers, microwave ovens, and Dirt devils, and when it was over I just wanted to lower myself into a tub of Noxzema and be left alone for a couple of months. Forget radiation testing on humans--I'll happily mainline any glowing syringe Uncle Sam cares to try out on me so long as he doesn't clap a pair of Satanic cheap-ass dungphones on my head while he's cooking my wooks.

And it's not just us Mud People who want ggod cheap cans, either. Even the well-healed audiophile doesn't wanna take his muy expensivo headphones along when he travels, even if they do annihilate the cheap-ass set that came with his portable CD player or Walkman.

Besides which, the cool-mam Grados seem to be a pretty tough load for the portable gear I've tried them with--The Grados need quite a bit more in the way of speaker-driving juice before they sing than those little open-air giveaway 'phones, and the typical anemic output stages in portable CD and cassette players just just can't drive them to decent levels with any kind of quality.

And every time I'd fly somewhere, I'd sit there with these awful 'phones quacking in my ears thinking, "OK, we lift off, I yell my demands and wave the gun. No--First I wave the gun, then I tell the pilot to fly to Cypress. Soon I shall be with my brothers in the struggle again. Joes's nephew Johm explained to me that the Grado Mojo can basically be boiled down to one essential goal: In devoloping the He-Man Grados, every part was specially designed and treated to reduce resonances so the dynamic speaker driver could operate from a perfectly rigid structure--Grado claims this is why they have such great resolution and freedom from coloration.

You get a bit more resonance as you go down the Grado line, John says, and you lose a bit more detail and transparency, but the family resemblance between the top-of-the-line HP-1 and the el cheapo SR60 remains strong. With the SR60, Grado specifically targeted the Walkman-style headphones that come with portable CD and cassette players-- the littlest Grado has been given a higher sensitivity and an easier load than the Signature Series models to allow for better performance from the current-limited headphone circuits in most portable gear.

The dynamic speaker driver appears similar to the one used in the Signature Series 'phones. As with the expensive Grado's, the SR60s are adjustable to fit even the most peanut-shaped head. I found them fairly comfortable--not the most forget-U-have-them-on cans I've ever worn, but certainly not as tiresome as the He-Man Grados can be after an extended session. The foam earpads are made of the same material as the Signature Series pads, so they don't do the "Seal-A-Meal" sweat number on your ears like the closed 'phones do.

The SR60's driver voice-ciol and headphone cable are made from "standard" copper wire, as opposed to the "Ultra High Purity Long Crystal" copper used in the more expensive models.

I plugged the Grados into a HeadRoom Supreme headphone amplifier, which itself was plugged into the Tape Out jacks of either an Audible Illusions Modulus 3 preamp or my own buffered passive preamp. Eight-tracks were heard via this bitchin' Wollensak A 8T deck I found in great shape at Goodwill for 13 bucks.

These things kill the dungphones, even the high-dollar ones that come in the lavish plastic boxes at your local Sound Whorehouse. The SR60 definitely sounds like a Grado--smooth, clear midrange, gobs of detail, killer bass, and silky-smooth highs that let you listen to music for hours without the fatigue of many far more expensive 'phones.

This made for a livelier, more upfront sound than the more refined and neutral HP 2: These two headphones were clearly from the same family, but the cheaper SR60 definitely had a slightly less hearthrough quality through the range than the almost characterless HP 2. Vocals were a bit rougher and less precisely defined than through the HP 2s, and mixes that tended toward brightness--like Kim Wilson's Tigerman CD--were just a little more raucous with the cheap Grados.

I need to put this into perspective. They may give up some ground to their big brothers, but they handily plunder anything even remotely near their price. If I was monitoring a recording, I'd feel perfectly comfortable using the Sr60s; while I haven't heard a Stax yet, I wouldn't second-guess in terms of what I was hearing vs what I thought was actually making it to tape.

And wait till you hear these cheap Grados on some music that's got real bass! This may actually be their strong suit. Although direct comparison with the more evenly balanced HP 2s gave a the SR60s the impression that they were a little lean in the low end, the SR60s have an amazing bass range--tight and articulate.

The clarity and power of these budget Grados is just totally unheard of in this price range--HeadRoom's Tyll Hertsens came up behind me at the Stereophile party this past WCES and plopped a pair of haeadphones on my head that were cranking Primus's Pork Soda; I stood there grooving to Les Claypool's bizarro bass lines wondering what new super headphone Tyll was hipping me to.

The SR60s lack the ultimate HF smoothness and freedom from midrange coloration of the expensive headphones. With the HP 2s driven by the HeadRoom Supreme, it was easy to hear way the hell back into the farthest reaches of the recording, all the way below the noise floor--even the slightest bit of mike preamp hiss or studio background noise was laid bare to hear without even so much as a squint.

The SR60s have excellent resolution, but they were clearly bettered by the HP 2s--the difference in low-level detail retrieval between the HeadRoom's Process circuit and bypass listening were much more apparent with the HP 2s, for example. Anyway, the point is that low-level stuff like this is what you don't get so much of with the SR60s when compared to the He-Man 'phones.

The budget Grados have higher resolution than almost any high-end loudspeaker on the market, but if you want the ultimate in detail, you need to pony up the dough for the Signatures. As far as driving requirements go, the SR60 was much more tolerant of what it was plugged into than the HP 2. I've really been on a roll lately with giant-killin' Real World hi-fi. After a pretty disappointing year spent wading through the mid-fi morass trying to find some really musical gear that me and my friends could afford, I'm finally starting to field some outstanding budget products.

Way better than that honky crap supplied with portable CD and cassette players, the budget Grados stand comparison with audiophile headphones costing many times their price. Grado SR 60 Headphones - Stunning sound and supreme value should put these cans on your short list. Wide as the Nile Rating: Before I started this review I surfed around and read every review that I could find of these cans. Grado has a reputation, an excellent one, that far precedes them, but I was looking for something more specific.

I was looking for bad reviews or at least some kind of fault finding. I had been using the SR 60s without stop since last week and couldn't think of a bad word for the review. But I wasn't alone; evidently, no one can think of a bad word for them. The praise for these cans is both universal and well deserved. I have listened to a good variety of headphones and few really rival the SR 60s. Even more significant, through, is the simple fact that no headphones in this price range even remotely approach the sound quality of these Grados.

I hate to chase readers away from IGN, but I honestly suggest that everyone reading this article stop now and go buy a pair of these phenomenal headphones. I typically have a section of basic stats and specs, but not today. Anyone looking for numbers and measurements would do well to check out the Grado website: For those of you unfamiliar with Grado, the company has been around since , when they started making phono cartridges in Brooklyn, NY.

They have been making headphones since the 80's, and it's been aces since then. The SR 60s shares the utilitarian design that runs throughout the entire Grado line. They are made to sound good and be comfortable and that's all. I actually prefer this aesthetic to most contemporary cans, but those of you searching for space age looking headphones might be a bit disappointed.

Hell, the high end Grados are made of wood and leather. More practical materials substitute these luxuries for the 60s: Simple as they are in design, the SR 60s are extremely comfortable, which is almost as important as sound quality when it comes to headphones.

They are not the most comfortable models I used, but it's not hard to forget that you are wearing headphones with the SR I have used them for a couple eight-hour stretches without having to shift them around at all. Much of this comfort comes from the padding. Grado began using softer foam a couple of years ago and the change is easily appreciable. The current foam is smooth yet firm and never feels the least bit scratchy. The material is also very breathable. Headphones that make your ears sweat are a real pain in the ass, not to mention just plain gross.

The SR 60 never got hot. So how did they sound? In a word, brilliant. My favorite affordable cans have been the Panasonic RP-HTs since I first heard them, and I still think they are an excellent value, but the SR 60's really kicked the snot out of them. I really have never heard sound this sweet from headphones anywhere near this price range. The whole spectrum sounds good, but the real strength of SR 60s is the high end.

The highs are incredibly clear, without any harshness or sizzle. Nuances like cymbal decay and vocal reverb really come out as distinct sound, not just high-pitched debris. The highs are also very well balanced: This is one of the characteristics that makes the SR60s so listenable. The high-end clarity and smoothness practically eliminates ear fatigue. They tread lightly but make quite an impression. The midrange was equally impressive.

I think the best thing about the mids was the coherency. There were no peaks or valleys and everything simply stayed together.

I listened to a lot of jazz with the 60s and the mid-range was really evenhanded during even the most complex and chaotic passages. I love reading the manufacturer claims about frequency response, mostly because I like to see people being creative. Grado claims 20, which is fairly common. As you can tell, I used no benchmarks, but 20 seems pretty honest. The low-end extension took me by surprise. Bass lines and low, low harmonics that will stump even some speakers were very clearly articulated by the SR 60s.

You could actually hear the depth of the sound in an upright bass. It sounds cheesy, but it really was like being there. I played all types of music through the SR60s, and it was happy to oblige on every occasion.

The sound was always warm, smooth, and together. They really get across the musicality of the material. I hate to sound like a reviewer with that last sentence, but it is simply the case. What didn't I like about the SR 60s? I have heard better headphones, but not for under five or six hundred bucks.

And, even then, the sound is just better overall, not because the SR60s have a specific weakness. If you are on a budget, you simply must buy the SR60s.

And there is no way in hell you will be disappointed. Until I replied to a recent forum question on headphones, I never knew how passionate people were about their headphones. For me, headphones have been rather utilitarian. I used them mainly when recording just for feedback not literally. Since Podcasting, I've been wearing headphones much more as I work and listen to Podcasts without bothering the rest of the family. I've also come to appreciate "good" sounding phones versus the cheapies I used to wear in radio.

It started when I was looking for Grados. Almost universally, Grados are considered the Roll-Royce of headphones. I was also shocked that their popular SR60's are very reasonable priced. You won't find Grados at the corner superstore. Even most of the guys at Samash and Guitar Center said Grad-who? My credit card was out quicker than you can say "frequency-response-curve.

The SR60's had a nice clean response. They were fairly comfortable and sounded better than anything I had tried in the past. The bass was clean and full, but not overdone.

The midrange grabs you and the highs are firm, not brittle. Unfortunately, I listened a bit too loud to a promo one day and I noticed a "boom" in the right ear well, not my ear, but the headphone itself. With most phones, I would have just moved on and bought another pair.

I just couldn't let these great phones go. After a quick call to Grado, where a human answered the phone and graciously said, "send them in and we'll take care of it. The SR60's sounded great. The SR80's had the same nicely defined bass, the midrange opened up and the highs were so gentle and crisp, I could feel them.

I can only wonder what the SR, and i's sound like. In the meantime, the SR80's are better than I could have imagined, while my SR60's are being nursed back to good listening. Grado Labs is a small, Brooklyn, NY outfit with a long history in the phonograph cartridge business - one of making products that outperform the competition at a tenth of the cost.

A relatively recent entrant in the headphone biz, Grado makes four basic models, and two more high end versions under the Joseph Grado Signature label. All four Grados share basic similarities, including the SR model under review here: Dome drivers, supra-aural ,open -back design, and ultra -simple construction.

Construction is extremely simple. The earcups are suspended on a spring band in almost precisely the same way as WWII-vintage aircraft headsets; simple foam rings provide the contact surface. And yet , even though the form looks a bit low-tech, the SR80s are wonderfully comfortable; quite lightweight about 9 ounces ,with a surprisingly light cord that's free of mechanical rustle noises. The SR80S are more than fit for all day wear, and unlike many lightweight on the ear designs, they don't tend to slide out of position when you move your head-in all, the SR80S testify to the virtues of simplicity.

As to sound quality, the Grados are quite remarkable. Transparency and detail are the most immediate impression: The SR80S deliver a crystal clear window on the recording and playback system!

Bass is seemingly limitless in extension and notable for balance and finesse, as is the SRs dramatic transient ease; Thanks to this combo well -recorded rock trap drums sounded absolutely sumptuous. The combination works okay directly into portable CD players, with just about acceptable volume at moderate settings to which most Discpersons are limited for decent sound quality. Through a better headphone amp, of course, the SR80S delivered full volume, dynamics, and quality; indeed, they managed quite high levels with aplomb - one of audio's brightest values.

For vivid detail and expansive presence. Against Don't feel as good as they sound. These are exceptional headphones, separated from many of their peers by sheer expression. While other 'phones can sound a tad flat and timid compared with loud speakers, the Grados' vivid delivery punches home every note with dynamic enthusiasm. Creating a stereo image of excellent depth and clarity, they ensure every detail is heard, every strand separated.

Bass hits hard and fast, with an impact that's rare in headphones even at this price, the mid and is open and impressively lucid, and all that's topped by a sweet and focused table. And while they know how to kick, they manage to maintain an image that's perfectly proportioned and beautifully balanced. This Mortal Coil's Mr. Somewhere sounds clean and spacious, each delicate detail set in sharp relief.

Rich, resonant cello is balanced to the right, plucked semi-acoustic guitar to the left, while keyboard chords roll around you and the bewitching voice of Caroline Crawley whispers inside your head.

The only criticisms we can make are that the SR80's don't look or feel as good as they sound. They perch a tad precariously on your ears and comfort is not their strongest asset. But John Grado says he strove for the best sounding 'phones possible for the money, and when you hear them it's hard to argue. Though only second from the bottom in Grado's five-strong range of hand-built Prestige headphones, the SR80s are capable of transporting you to beautiful new musical worlds.

Headphone fans will love them, anti-phoners should swallow their pride and plug up a pair for audition.

Some headphones achieve sales appeal by being unconventional - witness the ergos - others with ultra-stylish, classy build. The Grado SR80's do neither; they look fairly inexpensive, and they aren't all that comfortable.

Each open-backed pad sits on, rather than over, each ear, and rather awkwardly too. But for all that, these are truly wonderful headphones. You can crank rock to ear-smarting levels too, thanks to treble detail thats smooth and articulate. With vocals they intoxicate with a natural feel and beautifully proportioned sound stage; few headphones can transport you as convincingly to the smokey confines of Erykah Badu's On and On.

Headphones are as clearly divided between sonic camps as other types of hi-fi. The Ergos, for example, sound simply divine with jazz, acoustic and classical music, but lack the bite to rock.

The Sonys by contrast, ripple with bass muscle, but aren't the ideal choice for subtle music. It's also interesting that looks, and subjective build, don't seem to count for much: For a littles bit of everything, they're the winners here! While the SR60, SR80 and SR have a certain family resemblance; each step up in price brings performance up as well.

The Grado headphones have a vented diaphragm design that incorporated a large air chamber for lowering the diaphragm resonance and extending bass response.

So they press against your ears. This construction is known as supra-aural design and almost guarantees that they won't be as comfortable as circum-aural type cans.

However, a little judicious bending will go far toward making the Grados comfortable. Something else to consider is the relatively low impedance 32 ohms of all Grado headphones. This allows for a more synergistic interface with most high-quality headphone output devices. However, those who plan on using mass-market receivers or portables with Grado cans will get best results from a dedicated headphone amp. If you don't want to make a major investment in 'phones, consider these babies.

I'd have to go far to find a better sounding set of cans to recommend at this price. Now, it does take some effort to make the SR60 comfortable. Bend the steel band to gently conform to your head and the pinch will go away. The relatively large open air chamber lowers the driver's resonant frequency, and that's worth the extra effort. The SR60 uses Mylar diaphragms driven by copper voice coils, neodymium magnets and a copper connecting cord terminated with a mini-plug and a quarter-inch adapter.

I started the LPs spinning and was immediately struck by the SR60's ability to keep the tempo. While the SR60 produced stability in imaging, its earpads created some indistinctness. There was a slight roll-off in the upper register of the piano, creating a smooth transition that softened the presentation. You might not object - especially if your cans serve portable duty.

At the other end of the frequency spectrum, the bass was a bit loose and woolly. Both these albums, however, made it obvious that sound quality from the SR60 was quite good.

Quantity, though, was slightly reduced by the earpads. The dynamic range was compressed a little, but the small-scale variations that are most responsible for contrast were not affected as much. The overall impression of the SR60s is that the music is slightly veiled - it's a bit like listening behind a curtain. This effect was not severe; in fact it was rather subtle. It will depend upon the listening level.

In sum, the SR60s have a sweet presentation, a "natural" and pleasing sound. So, in spite of any niggling criticisms, this is the place to start looking for budget headphones. The SR80 cost a few dollars more than the SR60, yet it's a better buy. Because its performance is astounding for its price. The features of this model are similar to the SR60 the earpads and wire are the major differences , so let's just move on to the sound.

On "Machinehead," there are some guitar riffs with extremely complex rhythms. The SR80s did an excellent job of following these complexities. And yes, these cans can slam! Well, that's what happens to stereo images with headphone. On Tori Amos' Boys For Pele, image separation was quite good, but there was some loss of air around the instruments. The tonal balance was relatively even, with a very slight bloat in the lower midrange.

I would say this variance is relatively benign, though. Given the difficulties of recording the piano well, this problem probably won't break your heart. The timbral presentation of the SR80s was excellent, with a natural sense of instruments and voice. The subtle nuances of Tori Amos' sultry voice were present throughout. In addition, on the Mozart, the oboe and violin sounded quite natural and real, especially when they were played in the range of the human voice. These cans fit into the sweet spot of this happy trio from Grado Labs.

They are balanced, they boogie, and they provide enough detail to satisfy music lovers. The sound is full and comforting. One has to make no excuses for its performance. This model Grado uses special "de-stressed" diaphragms as in removing stress, not as in false aging of your designer jeans or "antiquing" of cheap wood! On a more musical note, once again, the timing of this Grado headphone proved to be an asset.

The were stable, tight, and yet tuneful. The rhythm and beat were well defined throughout the listening sessions, no matter what I threw its way.

The stability of harmonic structure in time and perceived space gave rise to well-defined imaging. There was an excellent sense of separation between images, with good bloom around the instruments. On Mozart, the orchestra's sections were well placed, while instruments had a natural sense of air about them. The SR displayed a high degree of intelligibility and clarity. Obscure vocals became quite easy to untangle, as evinced on Bush's Sixteen Stone, where all, for once, became clear.

On Amos' Boys For Pele, there was an extremely good sense of silence between notes. These two characteristics allowed transient events to be represented in a stunning, and satisfying, manner. Harpsichord plucks were quite incisive on Boys For Pele, and on John's Made In England, the initial percussive strike of the kickdrum and the rimshots were full of whack. They also decayed in a natural fashion.

These headphones reproduced music with a high degree of tonal purity. Timbral accuracy was superb, with Tori Amos' Bosendorfer piano maintaining its characteristic tangible, rich texture. The sound of the orchestra on the Mozart was well balanced, full and complete. The brass had bite without acid.

The woodwinds were reedy and woody. Flutes well, fluted silverily. Overall, the Grado SR produced a weighty, full-bodied sound, keeping intact the very soul of the music. At least to my taste! It recreated the presence of the performance, providing contrast and drama.

It is a joy to listen with, and should hold you over until you can afford that killer speaker system. Of these Three Grado headphones, the SR60 has the comfort edge and seems more appropriate for portable use. It can also serve as an inexpensive second set of headphones.

The choice for best all-around 'phones, though, goes to the SR This is well suited for either portable or dorm use and will serve music lovers well for late-night listening. It is quite reasonably priced. My highest recommendation, however, goes to the SR It provides a very rewarding listening experience.

Some may not wish to spend the money, but if you try it out, you may just find yourself saving a little bit longer to get this more expensive model. Before you faint at the price of this "mere" headphone, let me say that it is truly reference grade.

The most noticeable difference between the RS1 and all other Grado headphones is the mahogany earcups. They are specially cured between production steps and serve as the foundation for the air chamber that affects the transducer resonances.

It is the wood's special characteristics that enhance the tone of the driver. Like the SR, the RS1's diaphragms are "de-stressed". In this case, the technique is applied in two stages for increased control. The voice coil and connecting cord are both made of an ultra-high purity, long-crystal UHPLC oxygen-free copper with a quarter-inch plug termination. Did I mention the leather headband comfort and style!

In brief, the RS1 has a tonal richness that outshines all other headphones, Period! The presentation has such depth and body, you'll have a hard time believing that you're listening to headphones.

These wooden babies are sweet, yet extremely dynamic. They are capable of tremendous drive, impact and energy. They've got rhythm, pace and slam. They produce stable images with a sense of space; they bring out subtle musical details. The Grado RS1 may not be the final word on resolution-you really does need loudspeakers to do that and excellent quality loudspeakers to boot - but it comes quite close. For my book, these headphones get the music in as intricate detail as possible without sounding clinical.

Their performance is superbly detail and musically satisfying. They get my headphone vote. Fortunately, Grado makes some more affordable alternatives, such as the SRi headphones under consideration in this review Figure 1. There's some confusion about headphones out there, so first, let's open this review with a discussion about the types of headphones, and what tasks they're best suited for. Closed back headphones are usually the best bet when you want isolation--for example, to reduce the chance that someone nearby will be disturbed by the sound of whatever you're listening to.

Their solid, sealed ear cups lack any openings or "vents"; which is very beneficial when you're tracking and you don't want the sound of the headphone mix or your click track "bleeding" into the mic. However, they are not without their drawbacks. The lack of rear openings causes the sound to reflect inside the ear cups, which can cause phase and resonance issues. They often suffer from a "boxy", over-hyped and bass heavy sound, and their isolation can give the listener a claustrophobic feeling, and the sense that they are completely sealed off from their surroundings.

Since they do not completely isolate the individual ears, open back headphones, such as the Grado SRi's, tend to offer a more open and natural sound. Their vented design allows for a less boxy and muddy sound quality, with less funny business in the bass response. They tend to work well as a mix reference headphone, however, they are not well suited for tracking, because some of the sound from the headphone will "bleed" out and be audible to any nearby microphones--or people.

Headphones also differ in how they "fit". Circumaural headphones are usually large and heavy, and the ear cup surrounds the entire ear; they tend to seal the listener off from the outside world and can make the ears feel hot and sweaty over long listening sessions. Supra-aural headphone designs like the SRi's actually sit on top of the pinnae the outer, fleshy part of the ear itself. While they are less effective at isolation, they are usually lighter, which can result in less discomfort over longer listening sessions.

But "comfort" is a matter of personal taste--some people dislike having something pressing directly on the ears, while others get claustrophobic when they feel "sealed off" from the world around them. Because of their supra-aural, open back design, isolation is not the Grado SRi's strong suit; however, exceptionally detailed and accurate sound quality is.

The design offers simple but effective up and down adjustment of the individual ear cups to fit the user's head size. They use a lightweight, rigid plastic for the ear cups, and each cup is mounted in a pivoting yoke that allows them to conform to your head.

The headband is a single metal band that is incased in an unpadded leatherette style covering, and it is flexible enough that it can be gently "bent" to widen or tighten the overall fit. The ear pads, which enclose the entire driver and have no "hole" in the middle, are made from a fairly soft foam rubber and can be removed for cleaning or replaced if needed.

The overall build quality is solid and reassuring, and the SRi's appear to be built to last; assuming the user takes reasonable care of the headphones. Grado says the "i" in the model number stands for "improved". Compared to the earlier SR model, the housing of each earpiece is larger. Additionally, Grado says the neodymium magnet equipped drivers have also been improved; they are matched to within.

The SRi uses a "Y" style cable that feeds each ear cup separately, and the new 8 conductor wires are extremely thick and heavy-duty. This bodes well for their long term durability, although the stiffness and weight of the cables can be somewhat annoying when moving around while wearing the headphones. Although I didn't have a chance to try it out, Grado also makes a 15' headphone extension cable for those who need longer cable "reach".

A quick look around at various forum threads will show that it's not unusual for some Grado users to customize or modify their headphones to address perceived comfort issues. The main criticism I had in the comfort department wasn't the ear pads, but the actual headband. While it is easy to adjust the ear cups upwards or downwards to fit the head, even when optimally positioned, I still felt the headband pressing on the top of my head enough to feel mildly annoyed by it.

True, I have a shaved head and no natural "padding" from hair, so I may be more sensitive to this than most people, but I do feel the SRi's would benefit from having some padding built into the headband. However, even in the stock configuration, the "feel" of the headband wasn't all that bad, and didn't annoy me enough to distract me or make me feel like not wearing the cans. I thought the earpieces were less of an issue, although some people are going to prefer circumaural headphones over supra-aural cans like the Grados or vise versa.

The ear cups themselves, as well as the headphones overall are reasonably light in weight Sennheiser HD pads are popular with some Grado owners, but they use a "pancake" style that is similar to the S-Cush pads that are included with the SRi's.

Also remember that using different foam pads can have an effect on the sound of the headphones; possibly for the better or for the worse, so proceed with caution. So why would people be willing to put extra money and effort into modifying headphones for increased comfort?

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I can give you some bomb making formulas of chemicals you can purchase on the internet and make a bomb which will scatter your molecules over the walls, ceiling and floor. There must be a echo you hear when you speak. The reason is where you have placed your head. Pull it out of your ass and you will hear MUCH better. I have been further off the Earth than you might think. Not as high as the Space Station or even many of the satellites. It was the highest flight of any military plane ever made until about 2 years ago and they almost did not make it back to the ground.

They have some new generation planes that will actually go into low earth orbit and even visit the space station here in the next few years. They are not teasing us. They are checking us out — monitoring our progress. They are not trying to take over the planet but they could if that was their agenda. Eventually you will be asked to take some time in a padded cell while some professionals take the time to diagnose you and determine which institution to send you for treatment, for your own protection or for the protection of the public.

I have heard a lot about this site and thought I would join. I see that there are some who just love to act immature and harass others for no reason at all. How does that make you mature? Grow up and be the mature person you claim to be. I am sure that once you have proven that you can be mature about things, the other person will stop doing whatever it is that has pissed you off so badly that you felt the need to attack them.

I have looked at some of the posts on here before I joined and noticed that one user felt the need to say he contacted aliens to beat the holy hell out of another user and also told that person the he could get him bomb making chemicals so that he could blow himself up.

Why would anyone think that threatening another user is mature? To me that just seems so immature. Why not just grow up? Start acting like adults. Now back to what this site is about……I would like to know if there has been anyone on here that has actually seen a UFO or an extraterrestrial up close or been abducted? I would like to insert an M80 in your pants and then take pictures of you hopping around and in excruciating pain.

In YOUR case this would be outright hilarious. Never had your head up your bum? Figure you must sleep and eat from time to time so that is probably the only chance you get to breath properly. They are picking on you specifically at my suggestion. They gleefully agreed to assist me in pissing you off as often as they get the chance. YOU do not meet the requirements for such classification. YOU do meet the requirements for 1 Paranoid schizophrenic and 2 all around jack ass.

The lower the I. You KEEP proving my point but you never see the trees for the forest that you have created in your head. By continuing to attack me, all you are doing is showing just how much of a dick you are. I am not the one with the problem. You are and by attacking me as much has you are doing is only showing how right I am that you are the one with the problem.

As you can see if you are not blind…I am using small print and not foul words in this post, but yet, you will still continue to be a jerk on here no matter what anyone says or does on here, which just goes to show that I am more mature than you are because I am changing my behavior on here and you are not. You guys at third phase are a joke. Your input on everything is wrong, which leads me to believe you guys are in this for the money and fame, always showing yourselves and saying third phase of moon every 4 seconds.

NBA Live Stream This has nothing to do with ufos, but then we know very little of anything now a days. On August 10th of at around You have to take a sequence of pics to have something to compare from one image to another. Otherwise, I would have continued to take more almost nonstop. Not only did I notice what appears to be a face looking down on me or us.

And to the right of the face also appears to be what I can only think of are ripples as in the ripples that we see from water being disturbed. I have a rather interest to the location that you shot these photos from State. I have an explanation as to the formations that you have depicted, as being involved in a few miscellaneous military programs myself. I would like to talk to you more about this photo please. Its funny that you question the legitimacy of something that you know very little about yourself.

I have personally seen multiple carriers from the various bases that i have traveled to throughout my time with my organization. I have also had the pleasure of working with top analysts, to validate photos of vessels and beings that are not from this world that have already accessed zero-point energy long before it has been known to be accessible. So just sit down on your couch and relax because the information that you know, or even anyone on this site knows is very vague compared to what our organization does, or even knows.

You might hear from us every now and then, but you only see us as a threat. Until then, we will remain…..

Anyone else think it a desperate attempt to win votes from the growing number of Ufologists or something other than an empty promise? Best buy smartphone accessories. It seems very deliberate that you do so with interviewees. There is nothing to fear except for Cabal who are going to use the disclosure to control the masses wrongly. Wake up people we are being helped from off our planet more than we know.

HI these photos were taken with my Ipod 6th generation, photos were taken back to back with a time stamp of Object was naked to the human eye, me and my co-worker were back on the bus and I decided to see how the photos came out and this is what showed up…any thoughts?

I have been listening to Blake for some months now and apart from some perfectly reasonable personal hype I like this medium. I have seen beams of light in the sky converging on a black hole in the middle, with a view straight up to the stars. Probably I have seen an orb higher than the clouds move in from the west at an even pace but zip left and right as if searching for something.

Keep up the good work Blake. Got a UFO report in the Netherlands. I shot images with my Phone video. How can i send them? I have photos that I think you would like, contact thankthetrees gmail. Some more for your fans https: More for your fans to watch https: I have known since the age of Twelve that Alien life exists………I witnessed a U. One can see them in nearly every photo from that series. Anyone know what they are?

I laugh my ass off at that Area 51 video, those two guys set those Chong tourist up, I bet they told them it was ok to drive right on through to. I have several still photos taken Nov. At a light we spotted this, more of an organic UFO.

No birds in the sky whatsoever. There was a heat like ora around it. It was visible for what seemed like 2 minutes, then just completely vanished. Now, we constantly look to the sky… I have more still consecutive photos and daughter has a video on her phone. Have found a couple that look like this on youtube. Has anyone else seen this??? The video if real was awesome, oh and congratulations on keeping the profanity and loud mouth mentally unstable off the video too unlike what happen on the 18th.

Share Videos With Family. Manhattan Home Design Reviews. So notmto but up the currwnt topic but I found a wayntontake pics ofnthenarea around then sun without an epic amout of glare. I am trying to get a pic of Nibiru. I have been using my welding mask. I will post hopefully by tomorrow. This was taking from phone Jan. I was just taking a normal picturw of a brown tail hawk entering my famlies ranch.

Never seen anything like this before. Web Design companies in los angeles. I recommend reading the book of the secrets of enoch…. I believe it expands the mind to be able to comprehend the question of who is watching us. This latest video submitted yesterday is really interesting, any ideas on it, someone some where has to know something. Seeing little space craft are we? Never seen a passenger airplane in the sky before? Where have you been? Regarding the Space Station seeing an alien craft.

Happens all the time. NOT news to them. THAT wears of real quick around there. The Lost Ways Review. SunTrust Online Banking Login. I do not personally know Edward Snowden, but I do know his father, I was stationed with him twice while in the Coast Guard, he is a very intelligent and a good man.

His son is a lot like him, very intelligent with a deep love for his country, at least the country we all grew up in before the New World order hijack it 27 years ago.

If Edward says this about HARP, I believe it, beware America dark forces are and have been at work in our country for the last quarter century and their cover is starting to be blown away. Heidi there are kooks and wing nuts all over the internet, well we got them here too, but other then the small percentage of foul mouth loons 3rd phase is a pretty good site, I been here almost a year now, give it a little time and it will grow on you. First thing every morning I check 3rd phase just to see if anything new has been posted by Blake or his brother, I really do like the site, give it some time.

Friday evening you were saying there was big time breaking news coming in the entire pod cast but you made it seem like there were technical difficulties. Here it Monday evening and still no breaking big time news, whats up? Hey bobby i dont know who you are but i am very interested and this might sound odd but can i join you? I want to ivestigate ufos and i can give my life to it. Home Depot Credit Card Login.

Black knight satellite watched it line drive to the northwest over el mirage Arizona near Luke air force base. Pictures i took from the ISS , You will see the date on each picture, please tell me what you see in each picture…..

The Millennium falcon video that came out last night is excellent, something did crash land on that island. Come back next week and I bet this craft will be missing and the skid marks distorted. The cover up will begin, but at least you all got it out before hand. Most recent video millennium falcon UFO.

The proof will be maybe next year, pull it back up on the latest Google maps and see if the object is still there. Also, if all on earth and earth being a really small partical. Could it be possible that reality actually moves backwards in time, but we perceive reality and time to be moving forwards. I know this is abit out their, but i promise I am not off my rocker.

The above is my way of thinking and i just want to know if im the one one that thinks this. So i have two videos i just shot of this object i keep witnessing.

I finally said screw it and started recording. Would anyone like to see them? LOL if they go to the expense and effort to get rid of the evidence then what better proof would there be to show that the evidence is then real!!! It looks to me that is it is on approach to a landing and it will give you an optical illusion of just standing still, but that is all that it is an optical illusion.

Matt did you submit them or post them anywhere? Kind of hard to view them if all you say is I have them and give NO access to them.

Because I have the right not to share or make public my videos, I have one up on my personal Private facebook, that is it. If anyone wishes to view them.

I can send the videos to them via email. There was volcanic activity at Deception Island as recently as , it could have been a volcanic vent which make more sense then a large extraterrestrial object, or some giant sea creature created by global warming.

Upper east side tms therapy. Fiber Fusion Splicing Tool. Those space aliens are back there messing with Jack again, got mamma Jack all winded up too. Employee Scheduling and Payroll. The lake on Mars looks like a comet strike, one made up mostly of water. I can explain what they are, their power stations that use sun light to get power.

The towers are surrounded by a bunch of mirrors that reflect sunlight onto the towers and the towers then convert the heat from the sunlight into energy. Computer Services Ocala FL. When the first moron of the evening started talking about flat earth the interview should have stop right there.

Come on Blake you have to start call screening out the dope smoking loony tunes. Blake bad show this weekend, at 31 minutes I finally had enough with the flat earth kooks and a couple other noticeably unstable KIDS with cheap cell phones. If you think the world is flat, or have some questions about it then your a little more then off centered, in fact I would say your borderline loony tune too.

Acta Clinica Belgica Medical Journal. You will notice three UFO above the stadium way of the flight path of the Blue Angles just sitting there watching it is very creepy please let me know if anyone sees what IAM seeing? Those lights look a lot like the ISS when you go full magnification. Who ever posted that video has no proof of when it was taken, no time ledger, so he could have taken it a week ago and only now just posted it.

You can go to Heavens-above. Buying residential real estate. Auto Detailing Puyallup Seattle Tacoma. Newborn Photographer Madison Wisconsin weddings family. Last Mile Delivery Service. How to make money from Home. Laptop cracked screen repair. Pull up the three pyramids in Egypt and put along side these two and calculate where the third one would be and if there is a third one covered in snow no doubt and they are lined up exactly like the three in Egypt then what more proof of Alien intervention could you ask for?

Coastguard diver from helicopter video being lowered to ocean. Line is from my wall that I am projecting onto with my projector. Also that is sky around diver video has not reached a view of ocean yet. Reebok Sheos Models with Price. Allegan County Mi Bail Bonds. I see the pyramids have been discovered on Antarctica. I offer this, I said people should go and climb Olympus, as it is the apex of the meaning for Gods to have climbed them. Xero add ons CRM.

Is there anymore pics from the ranch man? I just can not get over the pic of black object. It looks like the coast guard diver pic I posted. Lake Oswego carpet cleaners. Wendy william boobs job. How to build a website using Wordpress. Love Quotes for her. Better Ledger Bookkeeping Austin Texas. Hey Cousins Brothers I just have a quick question, for calling into your show do you have a toll free number to call in?

I am from Canada and have a few Ufo and alien encounters I would like to talk about. Surviving The Final Bubble. Stirling sleep Apnoea doctor. Lose 10 Pounds in 3 Weeks. Hi everyone, I am new here and decided to post something rather interesting regarding a strange ceremony that happened just a few days ago. Cedar park cosmetic dentistry. Web Wealth System Compensation Plan. Has anyone found a video of a gigantic triangle UFO, not like those black ones, much bigger with two small circular light underneath near the point of the triangle one in front the other behind, with three more circular lights underneath at the back near each corner and one in the middle with rows of white rectangular lights across the back?

This UFO was as big or bigger than a football field. Detroit Red Wings Jersey. Real Estate Logo Design. How to deal with financial stress. Low Price Car Hire. Bathub refacing Beverly Hills CA. How to make money online. Original Product For Sale. Forex mt4 ea robot. Stained concrete contractor Austin. Detroit Red Wings Store. Foundation repair Round Rock. Uppers AR10 Rifle Kit.

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Thank you so much Dr. Cabins on lake fork. How you could of let her off the air basically hanging up on her and telling her to call back in a week was beyond ridiculous on your part. If her story is true you had the phone call of your dreams!!!

If anything you should of transferred her to a secure line with your brother or anybody there for that matter and kept her on the line for like….

If her story is true you need to get on it while you and she can. This woman was reaching out to you, you can hear it in her voice and you told her to call back!!!

My Stepfather was on the board of several Defense contracting companies. I witness a ufo today in chicago While i was working so recorded a video of one then another one appear. Do not mean to cut in I noticed something on Google Earth while following the Malibu Shelf I Googled it and zoom down to the road directly offshore and as you are there on the people View I noticed at first 3 SUVs as you turn to travel down the road slowly you start to view two individuals walking on the hillside near the road just as you approach them The View seems that they disappear at the same time turn back the other direction at that point you will see now 6 vehicles 3 extra 1 including a truck.

I asked you to do this a couple of times then turned towards the shore and out across the water follow the horizon turn to the north scan and watch The Horizon change abruptly at sea level. Miami Luxury car rental. Immigration attorneys charlotte nc. Guts And Glory Gameplay. Ducted Air Conditioning Hornsby. Telegraph Fantasy Football Premier League. Let me show you how to earn serious income online as an affiliate.

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Sept was the last time we spent time together. We went for a vacation and had a fabulous time,not knowing it would be the last time I would see him.

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This has been reported as unidentified. Smoke ring left behind as UFO disappears. Reverse Alien Tech put to use or what? Sometimes the answers we seek, like What are they doing here? Can be found right in front of us. Be observant and question everything! We let a few people try the SR60s and the overall reaction was very positive. One comedian asked if he could "borrow" it for the night. Portishead's "Glory Box" from their Dummy release is a personal favorite of onheadphones.

Kastner, and after one listen through the SR60s, we figured out why. Yes, we are repressed. Well, perhaps not all of us. The SR60s reproduce a very spacious soundstage inside your head, but it is not their main selling point. The fundamental reason to buy these is the superb job they do reproducing the human voice. There is an openness to the sound that you just do not hear on headphones at this price point, or frankly, under one hundred and fifty dollars.

The SR60s main competitor, the Sennheiser PX sounds far more colored in my opinion in the midrange. It lacks the detail or clarity that makes the Grado so good. Jerry Garcia and David Grisman's The Pizza Tapes is a wonderful example of how important, chemistry is between two musicians. The guitar playing just flows effortlessly throughout the recording and it is a very rewarding listen.

The resolution of the recording pushes most high-end systems and exposes any of their warts. The SR60s faired very well. The Grados are not the last word in headphones if you are looking for something with a velvety smooth treble.

They have some bite. What originally sold me on the SR60s when I first bought them was their bass response. Most inexpensive headphones have mediocre to terrible bass. Manufacturers think in terms of "quantity" versus "quality". That unfortunately often means a bloated mess that is incredibly fatiguing to listen to and at the expense of the rest of the sound. The SR60s are very well balanced; the bass compliments rather than drowns out the rest of the sound. For the lack of a better word, the Grado SR60s are focused.

Despite a life almost entirely dominated by technology I find it odd that the things I admire the most tend to be very traditional. I suppose there's no reason to assume that a predilection for technology should make me any less appreciative of olde worlde values like quality, craftsmanship and value, in fact it's probably the nature of today's throw-away society that's fuelling my fondness for such things. One of the companies that has made it onto my "most admired" list is Grado, a company that has not only managed to remain family owned and run, but which has done so despite the abundance of cheap foreign imports claiming to offer more for less.

Of course survival stories like this are rarely down to luck, there needs to be at least one solid product driving the refusal to be beaten, or as in Grado's case a whole catalogue of them.

Joseph Grado started out making phono cartridges on his kitchen table back in but when the decline of the record player in the 80s started hitting profits and Joseph decided the time was right to bow out gracefully, it was his nephew John, who'd been part of the business since the age of 12, who stepped in to buy the brand name.

Spotting a gap in the market John Grado worked with one of the few remaining employees left, engineer John Chaipis, to develop a prototype headphone design then, after producing their own machine tooling, they introduced their first three models of headphone in In response to requests from their dealers Grado developed a lower priced line which began to fly off the shelves.

The rest, as they say, is history. Perhaps one of the best known and most praised models in Grado's lineup is their budget SR60s. With the brave claim that they offer genuine, high-end audio capable of satisfying even the most anal of listeners yet at a price that doesn't even make it into triple figures, Grado have amassed a legion of die-hard fans based solely on the merits of the SR60s, not that there's a shortage of listeners happy to sing the praises of models sitting higher up the product range.

You may recall I published a way earphone roundup a couple of weeks ago, and knowing this was a perfect opportunity to see just how well the SR60s stacked up to their smaller, in-ear counterparts I contacted Grado and asked if they'd send over a set of SR60's to test, and I'm thrilled to say they did just that.

Admire them or not I should make one thing clear, to me there are certain aspects of audio that I don't buy into. It's a bit like modern art where some ponce is explaining how an unholy mess of colors thrown on a canvas represents the loneliness of his childhood, you may find ten other idiots staring at the picture nodding in appreciation and smiling politely but I'll be the one suggesting he's talking from his fuel dump.

And some people are the same with audio. You may just about be able to hear a difference between two makes of speaker cable over long runs but anyone who wants me to believe they can tell the difference between different kinds of connectors by listening to the specific tone of the Saxophone player's stomach rumbling in the last chorus isn't likely to find me nodding and smiling politely. Grado may have earned my respect, but a little devil on my shoulder wants the SR60s to sound very ordinary so I can play the hero and finally lay an unwarranted myth to rest in the name of all that's good and true.

I'm such a sensation seeker! The SR60s feature a head strap cut from the skin of the rare one-eyed Scottish Alligator. The cans are machined from a solid lump of asteroid and the foam ear pads are actually cut from specially selected reef sponges. Actually none of that's true, the head band is really just plastic over a thin steel spring strap. The chambers are plastic too, and the foam is just plain old foam. I even looked inside the chambers expecting to find some magical array of mysteriously glowing gubbins but found nothing more than wires and solder.

Undoubtedly they look like something straight from a grainy black and white war movie but it would appear you're not paying for looks here, you're paying for sound. By default the SR60s come fitted with a 3. If you've taken any interest in headphones whatsoever you've probably seen a variety of hinges, swivels, ball joints and doohickeys used to connect the ear can to the headband, nor so here, a simple sliding and swiveling post is used which, although fairly low tech, does everything the more complex joints do but with less to go wrong.

The SR60s are supra-aural in nature, that is they have foam pads which sit on top of the outer ear. This isn't the most effective way to generate bass, and indeed most bass-junkies are likely to note that the SR60s are a little on the light side in this respect, but give yourself time to get accustomed to them and I think you'll be pleasantly surprised at how well and how accurately the bass is actually handled.

The entire chamber is made in plastic, though I've no idea if it has any special acoustic properties or not. It could actually be some high-grade low resonance super polymer for all I know, but to be honest it looks like just plain ole' textured black plastic to me. That's not a criticism, at least not unless it impacts on the sound quality of the design strength, and all the signs are that it does neither. If you want to pay more there are models higher up the range like the SRi's which feature aluminum chambers or the RS1s or RS2s which both come with Mahogany chambers.

Did I mention that all Grado headphones are assembled by hand? Well I have now. And so to the listening. Did my dream of dire mediocrity come true? Can I save you all from wasting your money on a myth that doesn't hold up to scrutiny? I can't because the SR60s sound as sweet candy floss dipped in syrup and sprinkled with hundreds and thousands.

They have a kicking, percussive bass that's right where it should be to my ears that is. They have a tight but smooth midrange with excellent attack and decay characteristics, a credible timbre and low stridency even at high volumes.

The highs too are excellent with a light, airy nature, low sibilance, and a very nice ability to scale well at all volume levels without fading or becoming overpowering. If you didn't understand a word of that then don't worry, it's just a rather geeky way of saying they perform well across the entire frequency range without any maggoty flaws in any given area, and that the sound stays very nicely balanced at a range of volumes.

In fact I can't think of a set of headphones I've listened too that have performed better, though it's always difficult to do a mental comparison without having the contenders in front of you so you can quickly switch from one to the other. Trying to explain in words why the SR60s sound so good is neigh on impossible, it's a bit like trying to explain why home baked apple pie tasted better than the frozen shop-bought stuff, or why your own bed is always an order of magnitude more comfortable than the one you sleep in on holiday.

Wearing the SR60s was no less pleasant an experience. Despite their decidedly low-tech construction I found just enough pressure to be comfortable yet secure, and if you need to make adjustments it's as simple as flexing the headband strap, which the instructions claim will adjust to the shape of your head in time anyway.

The foam ear pads don't stop a great deal of external sound but they do let air circulate around the ear and thus tend to reduce ear fatigue during prolonged use.

From your MP3 player to your top-of-the-range Hi-Fi separates, the SR60's don't just punch above their weight, they wear knuckle-dusters too, and at their price it's perhaps the best money your ears will ever spend!

My first pair of "real" headphones were Grado SR60s. Then as now, they were priced very reasonable. Sure, they looked funny, and the foam ear pads made my ears itch, but they were easily driven by the headphone jack on my undistinguished Pioneer Elite Pro logic receiver. They also opened my ears to the sonic possibilities of headphone listening at a time when, let's face it, many of us were buying either ruthlessly revealing studio monitors or chain-store garbage.

Now, eight or nine years later, I've tried many other headphones. I traded the SR60s for two things: The question is, did I get either? For the price, I didn't bother to request a review sample from Grado. While on vacation, I poked my head into a hi-fi shop and grabbed a pair to enjoy in my hotel room with a Sony CD Walkman. The SR60s are more comfortable than I remembered.

The foam ear pads seem softer than the unyielding cushions on the older model. The SR60s are convenient, too. I'd forgotten how they fold flat for storage at the bottom of a suitcase or gym bag. I'd also forgotten how musically satisfying this deceptively simple pair of headphones could be. Their design is well thought out and quite sophisticated. The cables and connectors are of very high quality. This is probably why, years after their introduction, they still retail for the same price.

However, if you want to talk sound per dollar, the SR60s are actually worth quite a bit more. The fact that Grado sells a ton of them probably helps to keep them affordable. That should be more than sufficient for musical satisfaction, but you'll always know that much more is possible. You won't have to worry with the SR60s. I tried them with the Headroom Little amp, and the improvements were minor. They had a slightly tighter but not fuller bass, more detailed highs and the backgrounds were a teeny tiny bit blacker.

In fact, they equaled my Sennheiser HDs in terms of openness. Buy the SR60s, plug them into whatever headphone socket you have, and enjoy. Does their unfussy nature mean that the SR60s are low-resolution? High-sensitivity drivers see to that. On America's Sweetheart, from perennial bad girl Courtney Love, you'll clearly hear all of the studio patchwork, including some instant-on tape hiss as Love's vocal track is dubbed over digital-quiet instrumental tracks.

On Paul Westerberg's Come Feel Me Tremble, the same haphazard recording and mixing work is purposely left uncorrected and unconcealed, yet rather than being distracting, it's easily ignored. If you want to hear the nastiness with the Grados, you will. If you'd rather concentrate on the music, they'll let you do that too. They're neither dull nor excruciatingly detailed; they show a lot of finesse.

Another advantage of the Grados is that they handle nearly all musical genres with aplomb. I find my Sennheiser HDs best suited to jazz and classical, and my Sony MDRs seem cut out only for bass-heavy pop and dance tracks, but the SR60s groove to anything. It's not that the bass isn't there. It just doesn't have the same impact it does with more expensive cans. Musically speaking, the SR60s were plenty comfortable right out of the box.

Some of the prettiest strings I've ever heard emanated from their little drivers, from the acoustic guitar on Ryan Adams' aptly-titled Heartbreaker to the masterfully played mandolin on Nickel Creek's self-titled debut.

I've complained in the past about the midrange bias on some Grado phono cartridges, and the SR60s exhibit a similar midrange sweetness that's slightly out of proportion with the rest of the frequency range. On the other hand, it's hard to argue with a product the produces results like these.

The SR60s don't just make magic on small music. Big orchestral pieces were rendered with convincing scale, hampered by just a bit of anticlimax at the frequency extremes. Small-scale music performed in big venues exhibited the electricity of a living, breathing audience hanging collectively on every note. I still prefer the velvet sound of the HDs and the lightning-quick response of the DTs, but for a fraction of the price of either, it's hard to fault the SR60s.

Neither fault was particularly glaring, and both were excusable given the SR60s modest price and ambitious performance in nearly every other respect. In fact, I can't name another product anywhere near the price that exhibits so few failings.

With the Grados, buy them and your done. Plus, when you're traveling, you'll have less equipment in your luggage and more room for CDs, or better still, clean underwear.

If, unlike me, you can withstand the urge to upgrade, the Grado SR60s may be the best audiophile value in the world. I'm glad I gave them a second listen. Out of the box a sharp smell of quality and you immediately realize that Grado Labs SR60 is something outstanding.

Everything about these headphones signalizes that we are dealing with a product for quality conscious people. The industrial, almost military look of the design, the thick cables, large earpieces, all of it The soundstage is balanced and honest, and no single part of the frequency spectrum is given special emphasis.

There are, simply speaking, no flaws at all in the soundscape; flaws that could take one's attention away from the music.

Elvis Costello is a bit hoarse today. He is sitting right in front of me, singing about how nothing adheres to him like Ivy does, and it's so beautiful, so beautiful, so There is an enormous wealth of detail in the reproduction; space is convincingly spanned out; you can easily point at where in your imaginary room the musicians are seated. These qualities also encompass an extraordinary degree of carrying comfort. Should you be inclined to keeping it a secret what you are listening to these headphones are not the right thing for you.

This open construction is hiding very little for the eavesdroppers around you; but, on the other hand, they're letting sound signals that can be useful and important to you, e. What is there to say? Definitely, these 'phones seem to be perfect match for a decent MP3-player. Both sound reproduction and carrying comfort is in a class by itself. The Grado Labs' SR60 has to be considered a bargain, and a product everyone should give a listen, before they decide which headphones to buy for their MP3-player.

One of the most notable and widely discussed aspects of this year's Consumer Electronics Show wasn't a new product or a new technology, but a demonstration by Dave Wilson. His intention wasn't to comment on the quality of the iPod, but rather to encourage his dealers to be aware that the iPod, and other similar innovations, is a valid source for many consumers and that a great pair of speakers makes it sound even better.

For starters, let's be clear that the iPod is a portable music player. While there is no reason not to use the iPod in a home music system, its' fundamental advantage is portability. So, Dave's interesting demo notwithstanding, it makes sense to evaluate the iPod first as a portable player. For this review, I primarily compared the iPod with a portable CD player and another hard disk player capable of storing compressed audio files. The sound of the iPod is quite different from straight CD.

My biggest concern, and one I think you would share, is that the iPod just doesn't sound very dynamic in comparison with CDs. Music sounds "fine" or "OK" or "pretty good," but always with some of the life wrung out of it.

To take just one example, midway through "Drive", from R. On the iPod this is softened in a way that diminishes the effect. And you don't have to listen to power rock to notice.

A and M , lose some of their emotion too. Since CDs already fall short of live music on dynamics, the iPod gets dangerously close to a precipice here. The iPod also can't match the sense of air and resonance from individual instruments that you find on CDs. The iPod simply doesn't reveal these nuances the way CDs can and the way live music does.

On the iPod, the sound of the guitar, the string resonance, and the sense of the recording space isn't as clear as on the CD. To be fair, this same guitar line, using the Dell DJ player, was pressed back in the mix and it was harder to recognize the instrument as a guitar. The iPod also rounds off high frequencies a bit. Vocals, cymbals, and violins all sound slightly polite, but also quite smooth. The problem is that they always sound this way, whether that's what is on the recording or not.

Real music has edges, and sometimes artists work very hard to put them there. If you want to hear them, you'll have to stick with CD.

These results aren't all that surprising. To get 10, or so songs on a 20GB hard disk requires compression. Something has to go, and sometimes what goes is musical content.

Even though today's sophisticated compression schemes can find duplicate data so nothing is lost , you can't get the kind of compression needed without going beyond the duplicate data. The trick, then, is to throw away musical content in the least noticeable way. I have to say that the iPod makes some careful and actually impressive choices in how it messes with the sound, though the iPod's alterations of the signal don't fit with the goal of ultimate musical accuracy and emotional expressiveness.

On the iPod, music tends to sound "good" or "nice. In this sense, I would liken the iPod to a classic tube amp: In the end, especially for portable applications, you'll probably choose the iPod because it is small. Also, consider that the software potentially 5, songs worth is on board, whereas with CD you'll have to carry a book of CDs on the side.

So, this being the case, the other interesting question is how to get the most out of the iPod? The obvious place to look is toward a great pair of headphones. Given my remarks above about the character of iPod's sound, could a complementary pair of headphones make a difference? I don't think the differences between the iPod's sound and CD are exactly subtle, but by comparison the sound differences between headphones are enormous.

I tried a mix of headphone prices and technologies, which may explain why the sound was so varied. Still, I wouldn't have come close to guessing my findings in advance. Sennheiser has a long and distinguished reputation for making superb headphones.

They are viewed by many audiophiles as the preeminent headphone manufacturer, at least if you rule out electrostatic designs which by definition are not portable because in nearly all cases electrostatic models involve separate power supply units that need AC power from a wall outlet.

I chose the HD for review because it is Sennheiser's new top-of-the-line model the previous top line models were the HD and, before it, the well-loved HD I figured, "Why not see how much we can wring out of the iPod? What I found was rather disappointing. Bass on the HD s was boomy, with drums sounding like indistinct thuds rather than like sticks striking a drumhead. Vocals were distantly placed, which gave a better than typical sense of space to the music.

But vocals were hooded and very dark sounding. Percussion, particularly with snares and rim shots, was over damped and "dead" sounding. Overall, I found the HD an amusical design, and one particularly unsuited to the iPod, which has some of the same faults though on the iPod they are much smaller in magnitude. On a practical note, these are large headphones, which isn't ideal for portable use.

In addition, they tax the tiny amplifier in the iPod pretty heavily, so you'll almost certainly want a separate headphone amplifier. In contrast with Sennheiser, Bose does not have a reputation for high quality among audiophiles. But their products are exceedingly popular, and the QC-2 is heavily promoted, so I thought they should be included. The QC-2 also makes sense in this test because it has noise cancellation technology borrowed from Bose' professional aviation headsets.

Noise cancellation systems measure the ambient noise on a bus or in an airplane and apply an equal and opposite signal to remove this distracting sound from the headphones. If your portable listening involves noisy environments, this technology really works and is very helpful in terms of letting you hear just the music while blocking out the noise.

Sadly, the sound of music with the QC-2s isn't particularly good. Bass, as befits the Bose house sound, is bloated and indistinct. Electric bass harmonics, for example, sound like the amp is playing under a thick blanket. Vocals are smooth and reasonably open, but a little dark. String plucks through the QC-2s are clear but a bit over damped.

Violin tone is lovely, though violins sound more like violas. I preferred the Bose headphones to the Sennheisers, but, again, this is not the headphone for the iPod. Actually, I'm not sure what this would be the headphone for.

Etymotic is a little-known company in consumer electronics, their primary business being the development of professional audiometry products and high accuracy hearing aid amplifiers.

These guys are serious about in-ear sound and measurement, holding 89 patents in these fields. Yes, I said earphone. The ER-4S looks like an alien-designed version of the cheapo earbuds that ship with lots of portable players.

It is different in that it seals against the ear canal to extend bass and to isolate outside sounds a different way of doing what the Bose 'phones do. The Etymotics have the earbud advantage of being tiny the case is a bit larger that a matchbook. The Etymotic sound is tilted in an entirely different direction than the Bose or Sennheiser sound. These earphones are about clarity and low distortion.

Electric bass string definition is very good, but lacks body. It is important to note that bass with the ER-4Ss depends heavily on the seal between the earphone and the ear canal. Custom made earpieces are available to optimize this, though I tested the standard version. At the other end of the spectrum, cymbals are clear and extended but a bit dry.

Again, vocals are a bit thin, but clear and open. Plucked string tones are crisp and clean. Drum head definition is excellent.

Dynamics are handled superbly, though, like the Sennheisers, these require almost everything the little built-in amp of the iPod has to give, even to get vaguely loud Etymotics offers an easier to drive version of this earphone, called the ER-4P. Grado is a small, established player in high-end audio, but with a twist. They only make phono cartridges, headphones and related products. Over the past 50 years, they have earned a phenomenal reputation for musical products that are great values.

As for the sound, let me just say "Whoa! Vocals on the SR are open, but with realistic body. Electric bass is solid, warm, and with good definition on decay, though not terribly deep. Bass isn't perfect, with some lumpiness in the mid-bass, but on the whole deviations from accuracy are small by comparison with the bass problems observed with some of the other 'phones. With the Grados, plucked string sounds are clear, with excellent resonance. Percussion sounds are solid and quick. The woodiness of acoustic instruments is well represented.

Cymbals are smooth, though occasionally a little splashy. The SRs have excellent macro dynamics. Violin string tone is smooth, and reproduced with a realistic sense of "edge". This is a transparent and musical headphone that nicely complements the deficiencies of the iPod, and I preferred it for listening to CDs as well.

My heart was gladdened that the lowest-priced headphone in this august group not only fared well, but also was the hands-down winner. Whether the Grado is the best headphone for the iPod, I can't say. In a noisy environment, its open ear design is not ideal. Unfortunately, getting better performance at higher prices is far from automatic.

So Frank Doris calls me and sez, "I got these hundred dollar headphones from John Grado and they sound awfully good! And if I'm gonna say that in print I better be right. They're more comfortable, less of a vise-grip on the scull, and their top-to-bottom extension is better than my personal HP-1s, this determined using a demo CD-R that John Grado included with the new set. So I beat my breast and wail to the heavens, and finally I call John, the Next Generation, and I tell him of my conclusions.

Like it would be to any reasonable manufacturer, hearing that his bottom-of-the-line is better than his top-of-the-line is disturbing to him.

Instead of calling me a subjectibist wacko, he offers to update my cans to current spec, ie. Overnight air to Brooklyn with a check in the box to pay for the SR60's, just in case. I still think the cheapos kill the HP-1's. I hear no improvement. He says this cannot be. Turns out he installed new wire up to the phase switches.

But from the switch to the diaphragm it's still the old wire. So it can be. Overnight air to Brooklyn. Yes, now something happened. I hate admitting it was just a wire that made the difference, but I like my HP-1's again. I understand why Gary Galo had no complaints about the top end of the HP-2's.

My bass on Sheryl Crow's record sounds like my bass again. And on "No One Said It Would Be Easy", right after my awkward little unamplified miked-electric guitar break the sound you hear finally sounds like what it is; Sheryl lighting a match at the vocal mike during an instrumental break.

John must have made an adjustment to the headband too, because the HP-1's don't hurt anymore. The SR60's are still more comfortable. But it's a pleasure having a reference I can enjoy and rely on again. While the HP-1s were in transit I did a mix with the SR60s and the s and, probably due to inexperience with them, I got terrible mixes. You will still hear more top with the SR60's than the HP-1s, but I'm hard put to determine which is correct.

Is more recording hiss accurate or an exaggeration? Using my own tapes, my sense is that neither is exactly right. The SR60s elevate the top slightly, but in a remarkably uncrude way. The "tizzy" quality I usually hear with bright headphones is absent. Just alot of top. If you don't feel like jumping into this way of listening with a big expenditure, buy these with no doubts and plug'em into your headphone output. I mean, the past couple years have seen the whole headphone trip suddenly break on through to the other side after decades of numbingly bad sound.

Yeah, the high-dollar Stax electrostatics had always been there if you really wanted some quality headphones, but even they had their problems with coloration and treble steeliness.

Other than that, though, it was a real teenage wasteland, with Koss, AKG, Sony and Sennheiser all battling it out to see who could produce a less mediocre pair of headphones than the rest of the pack. If you wanted comfort, you choose Sennheiser. Me, I was a headphone slut--I played around with all these brands, trying to find a pair I could live with, But nothing I heard was cool enough to warrant a long-term commitment.

Then suddenly, a couple of years ago, Joe Grado came out of left field with headphones that totally rewrote the book. I'd sworn off 'phones by that point, but all it took was a quick listen to those neww Grados and I had to have 'em.

They were so clean, so clear, so detailed--so right. OK, so that's the High-End. But what about the low end, where me and my friends eat our government cheese and wait for the high tech to trickle down to our demograph?

There's around 14, different models ranging from el cheapo earpuds that buzz like bees to Walkman-style squawkers to big puffy-cushioned "Digital Ready U-Bet" jobs at the top of the lines. All of these suck, and suck hard--I recently spent several days going around to various Dung Huts that sell these headphones alongside Bose speakers, microwave ovens, and Dirt devils, and when it was over I just wanted to lower myself into a tub of Noxzema and be left alone for a couple of months.

Forget radiation testing on humans--I'll happily mainline any glowing syringe Uncle Sam cares to try out on me so long as he doesn't clap a pair of Satanic cheap-ass dungphones on my head while he's cooking my wooks. And it's not just us Mud People who want ggod cheap cans, either. Even the well-healed audiophile doesn't wanna take his muy expensivo headphones along when he travels, even if they do annihilate the cheap-ass set that came with his portable CD player or Walkman.

Besides which, the cool-mam Grados seem to be a pretty tough load for the portable gear I've tried them with--The Grados need quite a bit more in the way of speaker-driving juice before they sing than those little open-air giveaway 'phones, and the typical anemic output stages in portable CD and cassette players just just can't drive them to decent levels with any kind of quality. And every time I'd fly somewhere, I'd sit there with these awful 'phones quacking in my ears thinking, "OK, we lift off, I yell my demands and wave the gun.

No--First I wave the gun, then I tell the pilot to fly to Cypress. Soon I shall be with my brothers in the struggle again.

Joes's nephew Johm explained to me that the Grado Mojo can basically be boiled down to one essential goal: In devoloping the He-Man Grados, every part was specially designed and treated to reduce resonances so the dynamic speaker driver could operate from a perfectly rigid structure--Grado claims this is why they have such great resolution and freedom from coloration.

You get a bit more resonance as you go down the Grado line, John says, and you lose a bit more detail and transparency, but the family resemblance between the top-of-the-line HP-1 and the el cheapo SR60 remains strong. With the SR60, Grado specifically targeted the Walkman-style headphones that come with portable CD and cassette players-- the littlest Grado has been given a higher sensitivity and an easier load than the Signature Series models to allow for better performance from the current-limited headphone circuits in most portable gear.

The dynamic speaker driver appears similar to the one used in the Signature Series 'phones. As with the expensive Grado's, the SR60s are adjustable to fit even the most peanut-shaped head. I found them fairly comfortable--not the most forget-U-have-them-on cans I've ever worn, but certainly not as tiresome as the He-Man Grados can be after an extended session. The foam earpads are made of the same material as the Signature Series pads, so they don't do the "Seal-A-Meal" sweat number on your ears like the closed 'phones do.

The SR60's driver voice-ciol and headphone cable are made from "standard" copper wire, as opposed to the "Ultra High Purity Long Crystal" copper used in the more expensive models. I plugged the Grados into a HeadRoom Supreme headphone amplifier, which itself was plugged into the Tape Out jacks of either an Audible Illusions Modulus 3 preamp or my own buffered passive preamp.

Eight-tracks were heard via this bitchin' Wollensak A 8T deck I found in great shape at Goodwill for 13 bucks. These things kill the dungphones, even the high-dollar ones that come in the lavish plastic boxes at your local Sound Whorehouse. The SR60 definitely sounds like a Grado--smooth, clear midrange, gobs of detail, killer bass, and silky-smooth highs that let you listen to music for hours without the fatigue of many far more expensive 'phones.

This made for a livelier, more upfront sound than the more refined and neutral HP 2: These two headphones were clearly from the same family, but the cheaper SR60 definitely had a slightly less hearthrough quality through the range than the almost characterless HP 2. Vocals were a bit rougher and less precisely defined than through the HP 2s, and mixes that tended toward brightness--like Kim Wilson's Tigerman CD--were just a little more raucous with the cheap Grados.

I need to put this into perspective. They may give up some ground to their big brothers, but they handily plunder anything even remotely near their price. If I was monitoring a recording, I'd feel perfectly comfortable using the Sr60s; while I haven't heard a Stax yet, I wouldn't second-guess in terms of what I was hearing vs what I thought was actually making it to tape.

And wait till you hear these cheap Grados on some music that's got real bass! This may actually be their strong suit. Although direct comparison with the more evenly balanced HP 2s gave a the SR60s the impression that they were a little lean in the low end, the SR60s have an amazing bass range--tight and articulate. The clarity and power of these budget Grados is just totally unheard of in this price range--HeadRoom's Tyll Hertsens came up behind me at the Stereophile party this past WCES and plopped a pair of haeadphones on my head that were cranking Primus's Pork Soda; I stood there grooving to Les Claypool's bizarro bass lines wondering what new super headphone Tyll was hipping me to.

The SR60s lack the ultimate HF smoothness and freedom from midrange coloration of the expensive headphones. With the HP 2s driven by the HeadRoom Supreme, it was easy to hear way the hell back into the farthest reaches of the recording, all the way below the noise floor--even the slightest bit of mike preamp hiss or studio background noise was laid bare to hear without even so much as a squint. The SR60s have excellent resolution, but they were clearly bettered by the HP 2s--the difference in low-level detail retrieval between the HeadRoom's Process circuit and bypass listening were much more apparent with the HP 2s, for example.

Anyway, the point is that low-level stuff like this is what you don't get so much of with the SR60s when compared to the He-Man 'phones. The budget Grados have higher resolution than almost any high-end loudspeaker on the market, but if you want the ultimate in detail, you need to pony up the dough for the Signatures. As far as driving requirements go, the SR60 was much more tolerant of what it was plugged into than the HP 2.

I've really been on a roll lately with giant-killin' Real World hi-fi. After a pretty disappointing year spent wading through the mid-fi morass trying to find some really musical gear that me and my friends could afford, I'm finally starting to field some outstanding budget products. Way better than that honky crap supplied with portable CD and cassette players, the budget Grados stand comparison with audiophile headphones costing many times their price.

Grado SR 60 Headphones - Stunning sound and supreme value should put these cans on your short list. Wide as the Nile Rating: Before I started this review I surfed around and read every review that I could find of these cans. Grado has a reputation, an excellent one, that far precedes them, but I was looking for something more specific. I was looking for bad reviews or at least some kind of fault finding.

I had been using the SR 60s without stop since last week and couldn't think of a bad word for the review. But I wasn't alone; evidently, no one can think of a bad word for them.

The praise for these cans is both universal and well deserved. I have listened to a good variety of headphones and few really rival the SR 60s. Even more significant, through, is the simple fact that no headphones in this price range even remotely approach the sound quality of these Grados.

I hate to chase readers away from IGN, but I honestly suggest that everyone reading this article stop now and go buy a pair of these phenomenal headphones. I typically have a section of basic stats and specs, but not today.

Anyone looking for numbers and measurements would do well to check out the Grado website: For those of you unfamiliar with Grado, the company has been around since , when they started making phono cartridges in Brooklyn, NY.

They have been making headphones since the 80's, and it's been aces since then. The SR 60s shares the utilitarian design that runs throughout the entire Grado line. They are made to sound good and be comfortable and that's all. I actually prefer this aesthetic to most contemporary cans, but those of you searching for space age looking headphones might be a bit disappointed.

Hell, the high end Grados are made of wood and leather. More practical materials substitute these luxuries for the 60s: Simple as they are in design, the SR 60s are extremely comfortable, which is almost as important as sound quality when it comes to headphones. They are not the most comfortable models I used, but it's not hard to forget that you are wearing headphones with the SR I have used them for a couple eight-hour stretches without having to shift them around at all.

Much of this comfort comes from the padding. Grado began using softer foam a couple of years ago and the change is easily appreciable. The current foam is smooth yet firm and never feels the least bit scratchy. The material is also very breathable. Headphones that make your ears sweat are a real pain in the ass, not to mention just plain gross.

The SR 60 never got hot. So how did they sound? In a word, brilliant. My favorite affordable cans have been the Panasonic RP-HTs since I first heard them, and I still think they are an excellent value, but the SR 60's really kicked the snot out of them.

I really have never heard sound this sweet from headphones anywhere near this price range. The whole spectrum sounds good, but the real strength of SR 60s is the high end. The highs are incredibly clear, without any harshness or sizzle. Nuances like cymbal decay and vocal reverb really come out as distinct sound, not just high-pitched debris. The highs are also very well balanced: This is one of the characteristics that makes the SR60s so listenable.

The high-end clarity and smoothness practically eliminates ear fatigue. They tread lightly but make quite an impression. The midrange was equally impressive. I think the best thing about the mids was the coherency. There were no peaks or valleys and everything simply stayed together. I listened to a lot of jazz with the 60s and the mid-range was really evenhanded during even the most complex and chaotic passages. I love reading the manufacturer claims about frequency response, mostly because I like to see people being creative.

Grado claims 20, which is fairly common. As you can tell, I used no benchmarks, but 20 seems pretty honest. The low-end extension took me by surprise. Bass lines and low, low harmonics that will stump even some speakers were very clearly articulated by the SR 60s.

You could actually hear the depth of the sound in an upright bass. It sounds cheesy, but it really was like being there. I played all types of music through the SR60s, and it was happy to oblige on every occasion.

The sound was always warm, smooth, and together. They really get across the musicality of the material. I hate to sound like a reviewer with that last sentence, but it is simply the case. What didn't I like about the SR 60s?

I have heard better headphones, but not for under five or six hundred bucks. And, even then, the sound is just better overall, not because the SR60s have a specific weakness. If you are on a budget, you simply must buy the SR60s. And there is no way in hell you will be disappointed. Until I replied to a recent forum question on headphones, I never knew how passionate people were about their headphones. For me, headphones have been rather utilitarian.

I used them mainly when recording just for feedback not literally. Since Podcasting, I've been wearing headphones much more as I work and listen to Podcasts without bothering the rest of the family. I've also come to appreciate "good" sounding phones versus the cheapies I used to wear in radio. It started when I was looking for Grados. Almost universally, Grados are considered the Roll-Royce of headphones.

I was also shocked that their popular SR60's are very reasonable priced. You won't find Grados at the corner superstore. Even most of the guys at Samash and Guitar Center said Grad-who?

My credit card was out quicker than you can say "frequency-response-curve. The SR60's had a nice clean response. They were fairly comfortable and sounded better than anything I had tried in the past. The bass was clean and full, but not overdone.

The midrange grabs you and the highs are firm, not brittle. Unfortunately, I listened a bit too loud to a promo one day and I noticed a "boom" in the right ear well, not my ear, but the headphone itself.

With most phones, I would have just moved on and bought another pair. I just couldn't let these great phones go. After a quick call to Grado, where a human answered the phone and graciously said, "send them in and we'll take care of it. The SR60's sounded great. The SR80's had the same nicely defined bass, the midrange opened up and the highs were so gentle and crisp, I could feel them.

I can only wonder what the SR, and i's sound like. In the meantime, the SR80's are better than I could have imagined, while my SR60's are being nursed back to good listening. Grado Labs is a small, Brooklyn, NY outfit with a long history in the phonograph cartridge business - one of making products that outperform the competition at a tenth of the cost.

A relatively recent entrant in the headphone biz, Grado makes four basic models, and two more high end versions under the Joseph Grado Signature label. All four Grados share basic similarities, including the SR model under review here: Dome drivers, supra-aural ,open -back design, and ultra -simple construction.

Construction is extremely simple. The earcups are suspended on a spring band in almost precisely the same way as WWII-vintage aircraft headsets; simple foam rings provide the contact surface. And yet , even though the form looks a bit low-tech, the SR80s are wonderfully comfortable; quite lightweight about 9 ounces ,with a surprisingly light cord that's free of mechanical rustle noises.

The SR80S are more than fit for all day wear, and unlike many lightweight on the ear designs, they don't tend to slide out of position when you move your head-in all, the SR80S testify to the virtues of simplicity.

As to sound quality, the Grados are quite remarkable. Transparency and detail are the most immediate impression: The SR80S deliver a crystal clear window on the recording and playback system!

Bass is seemingly limitless in extension and notable for balance and finesse, as is the SRs dramatic transient ease; Thanks to this combo well -recorded rock trap drums sounded absolutely sumptuous.

The combination works okay directly into portable CD players, with just about acceptable volume at moderate settings to which most Discpersons are limited for decent sound quality. Through a better headphone amp, of course, the SR80S delivered full volume, dynamics, and quality; indeed, they managed quite high levels with aplomb - one of audio's brightest values. For vivid detail and expansive presence.

Against Don't feel as good as they sound. These are exceptional headphones, separated from many of their peers by sheer expression. While other 'phones can sound a tad flat and timid compared with loud speakers, the Grados' vivid delivery punches home every note with dynamic enthusiasm. Creating a stereo image of excellent depth and clarity, they ensure every detail is heard, every strand separated.

Bass hits hard and fast, with an impact that's rare in headphones even at this price, the mid and is open and impressively lucid, and all that's topped by a sweet and focused table. And while they know how to kick, they manage to maintain an image that's perfectly proportioned and beautifully balanced. This Mortal Coil's Mr. Somewhere sounds clean and spacious, each delicate detail set in sharp relief. Rich, resonant cello is balanced to the right, plucked semi-acoustic guitar to the left, while keyboard chords roll around you and the bewitching voice of Caroline Crawley whispers inside your head.

The only criticisms we can make are that the SR80's don't look or feel as good as they sound. They perch a tad precariously on your ears and comfort is not their strongest asset. But John Grado says he strove for the best sounding 'phones possible for the money, and when you hear them it's hard to argue. Though only second from the bottom in Grado's five-strong range of hand-built Prestige headphones, the SR80s are capable of transporting you to beautiful new musical worlds.

Headphone fans will love them, anti-phoners should swallow their pride and plug up a pair for audition. Some headphones achieve sales appeal by being unconventional - witness the ergos - others with ultra-stylish, classy build.

The Grado SR80's do neither; they look fairly inexpensive, and they aren't all that comfortable. Each open-backed pad sits on, rather than over, each ear, and rather awkwardly too. But for all that, these are truly wonderful headphones. You can crank rock to ear-smarting levels too, thanks to treble detail thats smooth and articulate.

With vocals they intoxicate with a natural feel and beautifully proportioned sound stage; few headphones can transport you as convincingly to the smokey confines of Erykah Badu's On and On. Headphones are as clearly divided between sonic camps as other types of hi-fi. The Ergos, for example, sound simply divine with jazz, acoustic and classical music, but lack the bite to rock. The Sonys by contrast, ripple with bass muscle, but aren't the ideal choice for subtle music.

It's also interesting that looks, and subjective build, don't seem to count for much: For a littles bit of everything, they're the winners here! While the SR60, SR80 and SR have a certain family resemblance; each step up in price brings performance up as well.

The Grado headphones have a vented diaphragm design that incorporated a large air chamber for lowering the diaphragm resonance and extending bass response. So they press against your ears.

This construction is known as supra-aural design and almost guarantees that they won't be as comfortable as circum-aural type cans. However, a little judicious bending will go far toward making the Grados comfortable. Something else to consider is the relatively low impedance 32 ohms of all Grado headphones. This allows for a more synergistic interface with most high-quality headphone output devices. However, those who plan on using mass-market receivers or portables with Grado cans will get best results from a dedicated headphone amp.

If you don't want to make a major investment in 'phones, consider these babies. I'd have to go far to find a better sounding set of cans to recommend at this price.

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